Membaca Opera Batak Lakon Perempuan di Pinggir Danau Produksi Pusat Latihan Opera Batak

Lismade Soraya Juliana Siagian

Abstract


Opera Batak is one of theatre in Indonesia. This research about dramaturgy of Opera Batak. The Dramaturgy of Opera Batak Perempuan di Pinggir Danau, PLOt production at North Sumatera, begins with understanding the staging of more than understanding a written text by using the theoretical basis of theater dramaturgy by Euginio Barba and research of qualitative methods. This research has been doing for two month at Pematang Siantar, North Sumatera district where Batak Opera originally come from. This research aims to dig about structure and tecstur, and the theatre elements from the performance. Opera Batak PLOt production in the group play Perempuan di Pinggir Danau that the form of theater based on traditional Batak area for the Batak society as a medium of entertainment and messaging truths of life.
Keywords: theatre; dramaturgy; Opera Batak


Full Text:

PDF

References


Ahmad, A. Kasim. 2006. Mengenal Teater Tradisional di Indonesia. Jakarta: Dewan Kesenian Jakarta.

Azwar, Saifuddin. 2005. Metode Penelitian. Yogyakarta: Pustaka Pelajar.

Bandem, I Made dan Sal Murgiyanto. 1996. Teater Daerah Indonesia. Yogyakarta: Kanisius.

Barba, Eugenio. 1995. Dramaturgy Actions at Works dalam Euginio Barba & Nicola Savarese. A Dictionary of Theatre

Antropology: The Scret Art of the performer. London: Routledge.

Dewojati, Cahyaningrum. 2012. Drama: Sejarah, Teori, dan penerapannya. Yogyakarta: Javakarsa Media.

Hamzah, A. Adjib. 1985. Pengantar Bermain Drama. Bandung: CV. Rosda RD.

Harimawan, RMA. 1986. Dramaturgi. Bandung: PT. Remaja Rosdakarya.

Kayam, Umar. 1981. Seni, Tradisi, Masyarakat. Jakarta: Sinar Harapan.

Kernodle, George dan Portia Kernodle. 1978. Invitation to the Theatre. New York: Harcout Brace Javanovic.

Moleong, Lexy. 2010. Metodologi Penelitian Kualitatif. Bandung: PT Remaja Rosdakarya.

Nainggolan, Sari. 1991. Skripsi Opera Batak Tilhang Serindo Masyarakat Batak Toba. Yogyakarta: Institut Seni Indonesia.

Purba, Krismus. 2000. Opera Batak Tilhang Serindo: Pengikat Budaya Masyarakat Batak Toba di Jakarta. Yogyakarta: Kalika.

Purwanto, Lephen. 2013. Journal of Dramaturgy Part 1. Yogyakarta: Asosiasi Dramaturgi Indonesia.

Sagala, Jayanti. 2014. Tesis Eksistensi Perempuan dalam Opera Batak Studi Kasus Zulkaidah Harahap. Yogyakarta:

Universitas Gajah Mada.

Satoto, Soediro. 2012. Analisis Drama dan Teater. Yogyakarta : Ombak.

Sahid, Nur. 2012. Dramaturgi Teater Gandrik dalam lakon Orde Tabung: Sebuah Kajian Estetika Morfologi dan Paradoks.

Yogyakarta: Institut Seni Indonesia.

Sahid, Nur. 2012. Semiotika Teater Teori dan Penerapannya. Yogyakarta: Badan Penerbit ISI Yogyakarta.

Sibarani, Sadar. 2006. Raja Batak. Jakarta: Partano Bato.

Simanjuntak, Lena. 2013. Opera Batak

Perempuan di Pinggir Danau. Yogyakarta: Kata Kita.

Strauss, Anselm & Juliet Corbin. 2009. Dasar-dasar Penelitian Kualitatif. Yogyakarta: Pustaka Pelajar.

Sumardjo, Jakob. 1992. Perkembangan Teater Modern dan Sastra Drama Indonesia. Bandung: PT. Citra Aditya Bakti.

Watson, Ian. 1983. Towards a Third Theatre. London: Routledge.

Yoeti, Oka A. 1985. Melestarikan Seni Budaya Tradisi yang Nyaris Punah. Yogyakarta: Departemen Pendidikan & Kebudayaan.

Yudiaryani, 2002. Panggung Teater Dunia, Perkembangan dan Perubahan Konvensi. Yogyakarta: Pustaka Gondho Suli.

Informan

Thompson Hutasoit, 48 tahun, Kepala Tim Artistik PLOt, Sekretariat PLOt Jalan Bahbolon No. 9 Parluasan, Siantar,

Sumatera Utara.

Lena Simanjuntak, 59 tahun, Penulis naskah dan Sutradara Lakon Perempuan di Pinggir Danau, Padepokan Seni Bagong

Kussudiarjo, Yogyakarta.




DOI: https://doi.org/10.24821/dtr.v2i2.3311

Article Metrics

Abstract view : 62 times
PDF - 84 times

Refbacks

  • There are currently no refbacks.


View My Stats

 

Flag Counter