Pengembangan Mamaca di Pamekasan Madura sebagai Penguatan Harmoni Kehidupan Sosial

Supadma Supadma, I Wayan Dana

Abstract


The Development of Mamaca in Pamekasan Madura as Strengthening Harmony of Social Life. This study aims to develop one of the traditional performing arts, namely Mamaca in Pamekasan Regency, Madura Island, which is abandoned, especially by the local younger generation. Mamaca, which emphasizes the nobility of values and norms in its form and implementation, is capable of strengthening the nation’s character and the harmony of social life. Thus, this research is an effort to reconstruct local cultural and community values. Seeing its essential role, this research on Mamaca will be carried out in three years. Mamaca presents the values of local wisdom and uses the hermeneutic approach. The reinforcement is designed in the form of new Mamaca choreography according to the spirit of the times. It also reflects the will of the supporting community but still does not leave its primary source. The design of the form of presentation is based on an emic and ethical point of view, namely using a choreographic approach by involving the ideas of local artists or actors. The “new” Mamaca choreography was introduced to students of several elementary schools, as well as to existing performing arts groups. By introducing and teaching it to young children, it is hoped that the stronger and longer roots will be planted for growth. Its introduction and application are followed up by contesting it to motivate others in arts and to promote it to a broader audience, Mamaca can be developed outside its original area, but with similar traditional performing arts. Based on this plan, further development of choreography is also designed to be taught to children and adapted to their distribution area.


Keywords: mamaca; Pamekasan Madura; local wisdom; national character;
social harmony


Full Text:

PDF

References


Akhyar, Arif etal., 2010, Ensiklopedi Pamekasan: Alam, Masyarakat, dan Budaya, Klaten: PT Intan Sejati.

Buwono X, Hamengku. 2011. Ajaran Sang Amurwabumi: Sumber Acuan Nilai-Nilai Pendidikan Karakter Bangsa. Pidato Penganugerahan Gelar Doctor Honoris Causa Bidang Seni Pertunjukan pada Institut Seni Indonesia Yogyakarta.

Bouvier, Hélène, 2002. Lebur: Seni Musik dan Pertunjukan dalam Masyarakat Madura. Terj. Rahayu S. Hidayat. Jakarta: Yayasan Obor Indonesia.

Dana, I Wayan, dan AM Hermien Kusmayati, 2018. “H. Sastro: Penjaga dan Penggerak Mamaca di Pamekasan Madura”, dalam

Resital Jurnal Seni Pertunjukan vulome 17 No. 2-Agustus 2018

________________, dan Ni Nyoman Sudewi dan Yohana Ariningtyas. 2014. “Kesenian dan Identitas Budaya: Kesenian Dusun Tutup Ngisor Memaknai Tradisi dan perubahan” [Laporan Penelitian Hibah Strategi Nasional]. Jakarta: DP2M Dikti

_________________, dan I Made Arista. 2012. “Menelusuri Akar Multikulturalisme di Indonesia Melalui Rajutan Kesenian” [Laporan Penelitian]. Denpasar: UNHI

_________________, dan Ni Nyoman Sudewi. 2010. “Pelestarian dan Perkembangan Tari Tradisi Bali: Studi Kasus Legong Kraton Peliatan” [Laporan Penelitian Hibah Fundamental]. Jakarta: DP2M Dikti

_________________, 2005, “Tayub Madura Pusaka Budaya yang Memikat” dalam Dewa Ruci Jurnal Pengkajian & Penciptaan Seni,

Surakarta: Pascasarjana STSI Surakarta

________________, 2004, “Dramatri Topeng Madura dalam Balutan Modernitas” dalam Bunga Rampai Seni Tradisi Menantang Perubahan, Padangpanjang: STSI Padangpanjang Press.

_________________, 2001, “Pertunjukan Kerapan Sapi di Madura: Suatu Pelestarian yang Dinamis” dalam IDEA Jurnal Ilmiah Seni

Pertunjukan, Yogyakarta: Fakultas Seni Pertunjukan ISI Yogyakarta.

Hadi, Y. Sumandiyo. 2011. “Revitalisasi Seni Pertunjukan Tradisi Sebagai Salah Satu Penguatan Identitas bangsa”, makalah Seminar Nasional Dies Natalis ke-27 Institut Seni Indonesia Yogyakarta 4 Juni

, Yogyakarta.

Kementerian Pendidikan Nasional, 2011, “Desain Induk Pendidikan Karakter Kementerian Pendidikan Nasional”, Jakarta: Kemdiknas.

Kusmayati, A.M. dan Suminto A. Sayuti, 2014, “Eksistensi Sastra Lisan Mamaca di Kabupaten Pamekasan, Madura” dalam Litera, vol. 13 no. 1, April 2014, jurnal FBS UNY, 182 – 190.

Kusmayati, A.M. Hermien dan Suminto A. Sayuti. 2010.

Perkembangan Seni Pertunjukan di Madura: Upaya Menegakkan Tradisi dan Ekonomi” [Laporan Penelitian]. Jakarta: DP2M.

Kusmayati, A.M. Hermien. 2006. Aspek Etika dalam Bingkai Estetika. Pidato ilmiah Pengukuhan Guru Besar Institut Seni Indonesia Yogyakarta.

Kusmayati, A.M. Hermien, 2000, Arak- Arakan: Seni Pertunjukan dalam Upacara Tradisional di Madura, Yogyakarta: Yayasan untuk Indonesia.

Kuswarsantyo. 2014. Dialektika Seni Pertunjukan. Yogyakarta: Bale Seni Condroradono.

Morris, Desmond. 2002. People Watching. London: Random House.

__________________ . 1977. Manwatching: A Field Guide to Human Behavior. New York: Harry N. Abrams Inc.

Raditya, Michael HB. 2014. “Wayang Hip-Hop Hibriditas Sebagai Media Konstruksi Masyarakat Urban” dalam Jantra vol. 9 no. 2, Desember 2014: 107 – 119.

Sastra, H., 2016, Sekkar Assre. Bahasa Madura untuk Tingkat Sekolah Dasar Kelas II – VI.

Rifai, Mien Ahmad. 2007. Manusia Madura: Pembawaan, Perilaku, Etos Kerja, Penampilan, dan Pandangan Hidupnya seperti Dicitrakan Peribahasanya. Yogyakarta: Pilar Media.

Wibawa, Sutrisno. 2014. Filsafat Jawa sebagai Sumber Pendidikan Karakter. Pidato Pengukuhan Guru Besar dalam Bidang Ilmu Filsafat Jawa pada Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta.




DOI: https://doi.org/10.24821/dtr.v4i2.6454

Article Metrics

Abstract view : 62 times
PDF - 46 times

Refbacks

  • There are currently no refbacks.


View My Stats

 

Flag Counter