This study examines the preservation challenges of Sawat music, a traditional musical practice of the Muslim community in Negeri Batu Merah, Ambon, through the creation of an ethnographic documentary titled Sawat Gawat. The research aims to document the musical, cultural, and social dimensions of Sawat while exploring the declining interest among younger generations. Using a qualitative approach based on visual anthropology and ethnographic methods, the study employed direct audiovisual documentation, semi-structured interviews, and participatory observation. The documentary captures key elements of Sawat performance, including instrumental techniques, ensemble dynamics, and the symbolic meanings conveyed by practitioners. The findings reveal that Sawat holds historical and cultural significance as a marker of identity and social cohesion, yet its continuity is threatened by limited documentation, generational disengagement, and the dominance of contemporary popular media. The visual and audio recordings illustrate the depth of musical practice and highlight practitioners’ concerns regarding the potential disappearance of the tradition. Through analysis of these findings, the study demonstrates that documentary filmmaking can function as an effective tool for cultural preservation, education, and community advocacy. The conclusion emphasizes the need for sustained collaborative efforts between practitioners, local institutions, and younger generations to support the revitalization of Sawat. The study also suggests future research opportunities in developing educational media, conducting deeper musical analysis, and expanding documentation across ot
APPLIED Ethnomusicology
