Kritik Pertunjukan pada Sonata Biola Ysaÿe ‘Obsession’ Melalui Teori Kritik Seni Feldman

Egaputra Tweeda Pinta, Suwarno Wisetrotomo, Pipin Garibaldi

Abstract


Artikel ini bertujuan untuk memberikan penilaian dalam bentuk kritik pada pertunjukan (Permainan) Sonata Ysaÿe nomor dua ‘Obsession’ sebagai karya musik yang virtuoso. Sonata ‘Obsession’ dipengaruhi oleh karya Bach yaitu Partita E mayor Prelude. Permasalahan yang disoroti adalah perbedaan interpretasi oleh lima pemain biola pada praktik pertunjukan sonata ‘Obsession’, pada konser musik biola skala internasional dari video media sosial YouTube. Penelitian ini merupakan penelitian kualitatif dengan pendekatan kritik seni Feldman. Tahapan penelitian yaitu studi literatur, observasi tidak langsung, dan dokumentasi  dari audio-visual.  Analisis data menggunakan kerangka kritik seni Feldman yang meliputi tahapan deskripsi, analisis formal, interpretasi, dan penilaian. Hasil penelitian yang diperoleh dari lima pemain biola pada konser skala internasional menunjukkan, walaupun karya Sonata Ysaÿe ‘Obsession’ mengandung ritme tempo cepat (virtuos), tetapi secara musikal memikat, menunjukkan unsur ekspresif, estetik, dalam bentuk musik bebas.

Performance Critic on Ysaÿe's Violin Sonata 'Obsession' Through Feldman's Art Critic Theory

Abstract

This article aims to provide an assessment in the form of criticism on the Performance (Play) of Ysaÿe's Sonata Number Two 'Obsession' as a virtuoso piece of music. Bach's Partita E Major Prelude influences the' Obsession' sonata. The problem highlighted is the difference in interpretation by five violinists regarding the practice of performing the sonata 'Obsession' at an international scale violin music concert from a YouTube social media video. This research is qualitative research with Feldman's art criticism approach. The research stages are literature study, indirect observation, and audio-visual documentation. Data analysis uses Feldman's art criticism framework, which includes stages of description, formal analysis, interpretation and assessment. The results of research obtained from five violinists at international scale concerts show that, although Ysaÿe's Sonata 'Obsession' contains fast tempo rhythms (virtuosic), it is musically very captivating, showing expressive, aesthetic elements in the form of free music.

Keywords: critic, Obsession sonata, Eugene Ysaÿe, Feldman art critic


Keywords


kritik; sonata ‘Obsession’; Eugène Ysaÿe; kritik seni Feldman

Full Text:

PDF

References


Afrizal. (2014). Metode Penelitian Kualitatif: Sebuah Upaya Mendukung Penggunaan Penelitian Kualitatif Dalam Berbagai Disiplin Ilmu. PT Raja Grafindo Persada.

Alashari, D. M. (2022). The Significance of Feldman Method in Art Criticism and Art Education. International Journal of Psychosocial Rehabilitation, 25(2), 877–884.

Aleshinskaya, E. V. (2020). Music Critic as A Professional Cultural and Linguistic Personality. The Humanities and Social Studies in The Far East, 17(1), 178–181. https://doi.org/10.31079/1992-2868-2020-17-1-178-181

Alessandri, E. (2014). The Notion of Expression in Music Criticism. In D. Fabian, R. Timmers, & E. Schubert (Eds.), Empirical Approaches Across Styles and Cultures: Expressiveness in Music Performance (pp. 22–33). OxfordUniversityPress. https://books.google.co.id/books?id

Alessandri, E., Baldassarre, A., & Williamson, V. J. (2022). The Critic’s Voice: On the Role and Function of Criticism of Classical Music Recordings. Frontiers in Psychology, 13. https://doi.org/10.3389/fpsyg.2022.925394

Alessandri, E., Williamson, V. J., Eiholzer, H., & Williamon, A. (2015). Beethoven Recordings Reviewed: A Systematic Method for Mapping the Content of Music Performance Criticism. Frontiers in Psychology, 6(57). https://doi.org/10.3389/fpsyg.2015.00057

Buja, M. (2023, May 26). An Obsession with Bach and the Requiem Ysaÿe’s Second Violin Sonata. Interlude. Retrieved from https://interlude.hk/an-obsession-with-bach-and-the-requiem-ysaye-second-violin-sonata/

Burgess, T. (2015, July 3). Maxim Vengerov- Turning Point in My Life. Daily Journal. [Video]. http://tch15.medici.tv/en/news/maxim-vengerov-turning-point-of-my-life

Carroll, N. (2009). On Criticism. Routledge.

Curty, A. (2003). A Pedagogical Approach to Eugène Ysaÿe’s Six Sonatas for Solo Violin, Op.27 [Doctoral Dissertation, University of Georgia]. https://getd.libs.uga.edu/pdfs/curty_andrey_200305_dma.pdf

Ginsborg, J. (2018). “The brilliance of perfection” or “pointless finish”? What virtuosity means to musicians. Musicae Scientiae, 22(4), 454–473. https://doi.org/10.1177/1029864918776351

Goehr, L. (2015). Does it Matter Where We Begin? Or, On the Art of Preparation and Preluding *. Music Theory Online, 21(3). http://www.mtosmt.org/issues/mto.15.21.3/mto.15.21.3.goehr.php

Goodrich, C. M. (2012). Eugene Ysaye, Legacy of A Violinist (UMI No.1522224) [Master’s Thesis, California State University]. ProQuest Dissertations & Theses

Griffiths, P. (2004). Ysaÿe. Sonatas for Solo Violin | Unaccompanied Violin: A Historical Overview. Maramarietta.Com. Retrieved 27 August, 2024, from https://www.maramarietta.com/the-arts/music/classical/ysaye/

Herskovits, N. (2018). Exploring the Expressive Technique and Virtuosic Writing of Sonata No.4 Op.27 “Fritz Kreisler” by Eugène Ysaÿe [Doctoral Dissertation]. Retrieved from https://www.academia.edu/38648010/Exploring_the_Expressive_Technique_and_Virtuosic_Writing_of_Ysaye_Sonata_no_4

hr-Sinfonieorchester – Frankfurt Radio Symphony. (2014, February 7). Ysaÿe: 2. Violinsonate - 1. Satz: Obsession (Prélude) ∙ Arabella Steinbacher. [Video]. YouTube. https://www.youtube.com/watch?v=DPq78GlIIfg&t=58s

Indrawan, A. (2019). Bentuk Sonata Konserto Ritornello Klasik pada Gerakan Pertama Concerto in G for Flute karya W.A. Mozart (1756-1791). Promusika, 7(2), 59–67.

Iwazumi, R. (2010). The legacy of Eugène Ysaÿe: Transmitted, adapted, and reinterpreted. Notes, 67(1), 68–88. https://doi.org/10.1353/not.2010.0007

Kang, E. E. (2011). Eugene Ysaye’s Music Inspired by J. S. Bach (Publication No.1507767) [Master’s thesis, California State University]. ProQuest Dissertations & Theses

Koapaha, R. B. (2018). Pengaruh Posmodernisme Terhadap Karya Gitar: Studi Kasus Karya Roland Dyens, Andrew York, dan Leo Brouwer. Resital, 19(2), 63–75.

Koliada, N. (2022). Portrait Of the Performer Jaques Thibaud in The Second Sonata for Solo Violin by Eugene Ysaye Op.27. Fine Art and Culture Studies, 3, 47–55. https://doi.org/10.32782/facs-2022-3-6

Kosiewicz, J. (2014). Sport and Art: Differences and Theatrical Similarities. Physical Culture and Sport. Studies and Research, 63(1), 69–87. https://doi.org/10.2478/pcssr-2014-0022

Leech-Wilkinson, D. (2020). Challenging Performance: Classical Music Performance Norms and How to Escape Them. Retrieved from https://challengingperformance.com/the-book/.

Lopez, F. (2023, September 7). Ysaÿe Violin Sonata Op.27 No.2 (Obsession: Prelude) · Anne Sophie Mutter · 1979. [Video]. YouTube. https://www.youtube.com/watch?v=JVglbaQKJBM

Musicchapel. (2019, February 15). Much Waterloo Festival, Garden Party, Leong: Ysaÿe 2. [Video [. YouTube. https://www.youtube.com/watch?v=UOmVvQy-4aQ

Passion For Violin. (2020, July 6). Hilary Hahn - Ysaÿe: Sonata No. 2 for Solo Violin, Op. 27 “Obsession.” Video. YouTube. https://www.youtube.com/watch?v=tv9r49FfeUc

Quinto, L., Thompson, W. F., & Taylor, A. (2014). The Contributions of Compositional Structure and Performance Expression to the Communication of Emotion in Music. Psychology of Music, 42(4), 503–524. https://doi.org/10.1177/0305735613482023

Refael, Wirayudha, A. H., & Prakosa, M. B. (2023). Efektivitas Metode Analisis Struktural. IDEA, 17(1), 218–230.

Resmadi, I. (2018). Jurnalisme Musik dan Selingkar Wilayahnya. KepustakaanPopulerGramedia.

Rittstieg. (2018a). Continuity and Change in Eugène Ysaÿe’s Six Sonatas, Op. 27, for Solo Violin.

Rittstieg, J. U. (2018b). Continuity and Change in Eugène Ysaÿe’s Six Sonatas, Op. 27, for Solo Violin [PhD thesis, The Open University]. https://doi.org/https://doi.org/10.21954/ou.ro.0000da42

Ropotan, R. M. (2021). Elements Of Musical Legacy Reflected in Eugène Ysaÿe’s Solo Violin Works. Bulletin Of the Transylvania University of Brasov Series VIII - Performing Arts, 14 (63)(1), 67–74. https://doi.org/10.31926/but.pa.2021.14.63.1.8

Ropotan, R. M., & Pepelea, R. (2021). Syncretic Art in The Musical Language of the Opus 27 by Eugène Ysaÿe. Bulletin of the Transilvania University of Braşov Series VIII: Performing Arts, 13(62), 249–256. https://doi.org/10.31926/but.pa.2020.13.62.3.27

Stein, L. (1979). Structure & STYLE: The Study and Analysis of Musical Forms. Summy Birchard Inc.

Sunarto. (2015). Pemikiran Hanslick tentang Estetika dan Kritik Musik. Promusika, 3(1), 163–173. https://journal.isi.ac.id/index.php/promusika/article/view/1702/745

Sunarto. (2016). Estetika Musik: Autonomis versus Heteronomis dan Konteks Sejarah Musik. Promusika, 4(2), 102–116. https://journal.isi.ac.id/index.php/promusika/article/view/2278/767

Svetlin Roussev. (2020, September 16). Ysaye Solo Sonata No.2 "Obsession” | Svetlin Roussev. [Video]. https://www.youtube.com/watch?v=r7GYMfVNBUw

Templeton, D. (2023a, November). After Years of Popularity and Interpretation, the Ysaÿe Violin Sonatas Turn 100. Strings. https://stringsmagazine.com/the-ysaye-violin-sonatas-turn-100/

Templeton, D. (2023b, November). After Years of Popularity and Interpretation, the Ysaÿe Violin Sonatas Turn 100 | Strings Magazine. Stringsmagazine.Com. Retrieved April 12, 2024, from https://stringsmagazine.com/the-ysaye-violin-sonatas-turn-100/

Vansover, Y. (2014). Education Looking Backward: Maxim Vengerov Shows It Might Just Be to Our Advantage. International Journal of Innovation, 1(4).

Vestergaard, M. (2020). Bach-To Ysaÿe: History and Performance Considerations of Sonata No. 2 [University of Connecticut. Honors Scholar Theses. 741.]. https://opencommons.uconn.edu/srhonors_theseshttps://opencommons.uconn.edu/srhonors_theses/741

Wahyuni, S. (2023). Riset Kualitatif: Strategi dan Contoh Praktis. Jakarta: Kompas Gramedia.

Yang, Q. (2023). The Emergence and Application of Violin Virtuosity During the Romantic Period. Communications in Humanities Research, 14(1), 70–79. https://doi.org/10.54254/2753-7064/14/20230409

Zavialova, O., Stakhevуch, O., Kalashnyk, M., Savchenko, H., & Stakhevуch, H. (2022). Formation of romantic instrumental performance and violin art of Niccolo Paganini. Revista Amazonia Investiga, 11(50), 180–187. https://doi.org/10.34069/ai/2022.50.02.18




DOI: https://doi.org/10.24821/promusika.v12i2.13431

Article Metrics

Abstract view : 0 times
PDF - 0 times

Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 PROMUSIKA

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

P-ISSN: 2338-039X (print) | E-ISSN: 2477-538X (online)