Stigma Music of Human Life in Indonesia Orchestral Music
Abstract
Music continues to surround human life from time to time; music is inextricably linked to human life from the moment man is born. Music also plays a role in bringing changes to human life in a better direction and maybe vice versa. In our daily lives, we cannot avoid the sounds or vibrations that come to our ears through the strains of music. Our lives are approached by music wherever we are. Music is a part of our lives. The researcher here wants to find out more about how the music process develops over time and its stigma to the operation of social change in society with the concept of musicology with qualitative methods, where the stigma of music tends to go, how researcher wants to better understand music by using methods of theoretical anthropological studies from time to time until the birth of music, on the other hand, what changes happen after the music is born. Stigma against music has certainly affected social life in society. Stigma towards more popular music such as orchestral music is one of the music whose bearer style is more likely to be passionate in the listener. Here the author wants to invite the music listener community to hear and explore the meaning of music and bring an appreciation stigma to his life. In addition, the author seeks to confirm that the music listener community can listen and explore the meaning of music and bring a positive stigma to his life. In addition, the author also would like the songwriters to explore more songs that stigmatize music by continuing to support people's appetite for a better humanity.
Keywords
Full Text:
PDFReferences
Aly, N. R., & Muhtarom, I. (2021). Keraton Yogyakarta Gelar Jogja Royal Orchestra, Mainkan 5 Repertoar Musik Klasik. Tempo. https://seleb.tempo.co/read/1475649/keraton-yogyakarta-gelar-jogja-royal-orchestra-mainkan-5-repertoar-musik-klasik/full&view=ok
Buitenweg, H. (1966). Soos en Samenleving in Tempo Doeloe. Servire. https://www.worldcat.org/title/soos-en-samenleving-in-tempo-doeloe/oclc/3720923
Dani, I. S. (2019). Perkembangan Studi Tata Kelola Seni dan Risetnya di Aras Global dan Lokal (Development of the Study of Art Governance and Research at the Global and Local Levels). Jurnal Tata Kelola Seni, 5(2), 88–102.
Evans, P., & McPherson, G. E. (2015). Identity and practice: The motivational benefits of a long-term musical identity. Psychology of Music, 43(3), 407–422. https://doi.org/10.1177/0305735613514471
Fu’adi, F. (2009). Mengenal Lebih Dekat Musik Orkestra. Harmonia Journal of Arts Research and Education, 9(2), 63263. https://doi.org/10.15294/harmonia.v9i2.643
Hirza, H. (2016). Musik Orkestra. Universitas Negeri Medan.
Kajanová, Y. (2020). World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia, 55(2), 25–40. https://doi.org/10.5817/MB2020-2-2
Katz, I. (1982). Stigma A Social Psychological Analysis (1st Editio). Psychology Press 152 Pages. https://www.routledge.com/Stigma-A-Social-Psychological-Analysis/Katz/p/book/9780898590784
Lozinskaya, V. P. (2021). Standing at the Cross. Stabat Mater. The Сantata of the Composer Metropolitan Hilarion (Alfeyev). Theme and Its Analysis . Journal of Siberian Federal University - Humanities and Social Sciences, 15(4), 485–493. https://doi.org/10.17516/1997-1370-0228
Osiebe, G. (2020). Methods in performing Fela in contemporary Afrobeats, 2009–2019. African Studies, 79(1), 88–109. https://doi.org/10.1080/00020184.2020.1750349
Pope, D. A. (2019). An Analysis of the Repertoire Performed by Youth Orchestras in the United States. String Research Journal, 9(1), 35–49. https://doi.org/10.1177/1948499219851378
Radocy, R., & Boyle, D. (2012). Psychological Foundations of Musical Behavior (5th Edition). In Charles C Thomas Publisher, LTD (5th ed.). Charles C Thomas Publisher, LTD.
Sewell, J. (2015). How We Changed Toronto: The Inside Story of Twelve Creative, Tumultuous Years in Civic Life, 1969-1980. James Lorimer & Company.
Snyder, M. (1974). Self-monitoring of expressive behaviour. Journal of Personality and Social Psychology, 30(4), 526.
Sophia, S. (2019). Andi Rianto Ingin Patahkan Stigma Ribet Orkestra. Republika.Co.Id. https://www.republika.co.id/berita/q0lry9328/andi-rianto-ingin-patahkan-stigma-emribetem-orkestra
Widhyatama, S. (2012). Sejarah Musik dan Apresiasi Seni. PT Balai Pustaka (Persero).
Yusa, I. M. M. (2016). Sinergi Sains, Teknologi dan Seni: dalam Proses Berkarya Kreatif di Dunia Teknologi Informasi. STIMIK STIKOM INDONESIA. https://books. google.co.id/books?hl=en&lr=&id=R50wDwAAQBAJ&oi=fnd&pg=PA1&ots=PZvX9GWGoj&sig=ui71RefmW4QAFQFdB0JfsFTJSYc&redir_esc=y#v=onepage&q&f=false
DOI: https://doi.org/10.24821/promusika.v9i2.5932
Article Metrics
Abstract view : 0 timesPDF - 0 times
Refbacks
- There are currently no refbacks.
Copyright (c) 2022 PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik
P-ISSN: 2338-039X (print) | E-ISSN: 2477-538X (online)