Vocal Ornamentation Style of Sri Hartati in the Keroncong Song Bandar Jakarta by Iskandar
Abstract
Vocal ornamentation is very necessary for a singer. Vocal ornamentation can be applied to several genres of songs, one of which is keroncong songs. In performing keroncong songs, both Keroncong Asli, Langgam and Stambul have their own characteristic vocal ornamentation. Each singer also has their own characteristics in performing Keroncong songs. Therefore, this study focused on Sri Hartati's vocal ornamentation style in performing the Keroncong song "Bandar Jakarta" Ciptaan Iskandar. Therefore, this research can be used as a reference and study material in Keroncong learning at the Music Education Study Program of the Indonesian Institute of the Arts Yogyakarta. This study used qualitative method with contents analysis. Analysis was conducted for Sri Hartati's vocal ornamentation style in singing the song "Kr. Bandar Jakarta" which includes cengkok, gregel, luk, embat and nggandul. This study aims to provide an overview of vocal ornamentation for students who take keroncong courses, especially as vocals or keroncong singers. The results showed that Sri Hartati's vocal ornamentation style was dominated by luk, even though there were cloves and gregel. Sri Hartati's vocal ornamentation style is simple but has its own uniqueness, so many achievements at the national level.
Keywords
References
Kepustakaan
Andaryani, Eka Titi. 2011. “Persepsi Masyarakat Terhadap Pertunjukan Musik Dangdut Organ Tunggal.” Harmonia: Journal of Arts Research and Education 11 (2): 163–172. doi:10.15294/harmonia.v11i2.2209.
Ardyanto, Danang, and Abdul Rachman. 2022. “Virtual Keroncong Music Performances As An Effort To Maintain Their Existence During The Covid-19 Pandemic.” Jurnal Seni Musik 11 (1): 78–85. doi:10.15294/jsm.v11i1.58066.
Ayunda, Pinta Resty, Susi Gustina, and Henry Virgan. 2013. “Gaya Menyanyi Pada Musik Keroncong Tugu (Analisis Gaya Saartje Margaretha Michiels).” E-Jurnal Universitas Pendidikan Indonesia 1 (3).
Bintarto, A. Gathut. 2014. “Aspek Olah Vokal Musik Klasik Barat Pada Musik Populer.” Journal of Urban Society’s Arts 1 (1): 44–56. doi:10.24821/jousa.v1i1.787.
Christy, Dian Eka, Andy Suryadi, and Info Artikel. 2019. “Musik Keroncong Di Surakarta: Perjalanan Dari Tahun 1960 Hingga 1995.” Indonesian Journal of Conservation 8 (1): 1–10. https://www.mendeley.com/catalogue/a7a1a5f1-c1aa-3e4c-922a-266a437f8f1c/.
Darini, Ririn. 2014. “Keroncong: Dulu Dan Kini Oleh: Ririn Darini 1.” Mozaik, Jurnal Ilmu-Ilmu Sosial Dan Humaniora 6 (1): 19–31. https://journal.uny.ac.id/index.php/mozaik/article/view/3875/3352.
Dr. Umar Sidiq, M.Ag Dr. Moh. Miftachul Choiri, MA. 2019. Metode Penelitian Kualitatif Di Bidang Pendidikan. Journal of Chemical Information and Modeling. Vol. 53. http://repository.iainponorogo.ac.id/484/1/Metode Penelitian Kualitatif Di Bidang Pendidikan.pdf.
Fauzan, Rikza, and Nashar Nashar. 2017. “‘Mempertahankan Tradisi, Melestarikan Budaya’ (Kajian Historis Dan Nilai Budaya Lokal Kesenian Terebang Gede Di Kota Serang).” Jurnal Candrasangkala Pendidikan Sejarah 3 (1): 1. doi:10.30870/candrasangkala.v3i1.2882.
Hadi, Sumasno, and Sulisno. 2021. “Popular Banjar Song: Study on Music Form and Media Culture.” Harmonia: Journal of Arts Research and Education 21 (1): 168–177. doi:10.15294/harmonia.v21i1.29349.
Hendry, Yon. 2013. “Musik Keroncong Campur Sari Dalam Pluralitas Budaya Masyarakat Sawahlunto.” Resital: Jurnal Seni Pertunjukan. doi:10.24821/resital.v12i1.468.
Indrawan, Andre. 2015. “Adaptasi Konserto Pada Ensambel Gitar Sebagai Upaya Pengayaan Bahan Ajar Matakuliah Ensambel.” Resital: Jurnal Seni Pertunjukan 16 (2): 95–103. doi:10.24821/resital.v16i2.1509.
Joseph, Wagiman, and Wibi Ardi Alvianto. 2012. “Eksistensi Grup Musik Keroncong Gema Irama Di Desa Gedongmulya Kecamatan Lasem.” Jurnal Seni Musik 2 (2): 1–14.
Kusumah, Arie. 2021. “Teknik Improvisasi Gitar Dalam Musik Keroncong.” Journal of Music Science, Technology, and Industry 4 (2): 263–277.
Liza, Nur, and Moch Mudzakkir. 2016. “Ritual Aliran Musik Black Metal Underground Pada Band Jahanam Dalam.” Jurnal Paradigma 4 (1): 1–9.
Pambajeng, Nadya Rany Sekar, Suryati Suryati, and Musmal Musmal. 2019. “Teknik Vokal Dan Pembawaan Lagu Keroncong Stambul ‘Tinggal Kengangan’ Ciptaan Budiman BJ Oleh Subarjo HS.” Promusika 7 (1): 29–37. doi:10.24821/promusika.v7i1.3166.
Pandaleke, Stefanny Mersiany, and Muhammad Jazuli. 2016. “Catharsis : Journal of Arts Education.” Catharsis: Journal of Arts Education 5 (1): 41–47.
Rachman, Abdul, and Wahyu Lestari. 2012. “Bentuk Aransemen Musik Keroncong Asli Karya Kelly Puspito Dan Relevansinya Bagi Remaja Dalam Mengembangkan Musik Keroncong Asli.” Catharsis: Journal of Arts Education 1 (2): 11–15. http://journal.unnes.ac.id/sju/index.php/catharsis.
Rachman, Abdul, Sahora Dina Pangesty, Slamet Haryono, Wahyu Lestari, Pendidikan Seni, and Universitas Negeri Semarang. 2022. “Improvisasi Melodi Instrumen Flute Dalam Musik Keroncong” 7 (2): 146–158.
Rachman, Abdul, Udi Utomo, and Nur Asriyani. 2019. “Penciptaan Lagu Keroncong Berbasis Kearifan Lokal Di Kota Semarang.” JPKS (Jurnal Pendidikan Dan Kajian Seni) 4 (2): 101–114.
Sugiyono. 2011. Metode Penelitian Kuantitatif, Kualitatif Dan R&D. Bandung: ALFABETA, CV.
Suryati, Suryati, G.R.Lono L. Simatupang, and Victor Ganap. 2018. “Ornamentasi Seni Baca Al-Qur’an Dalam Musabaqoh Tilawatil Qur’an Sebagai Bentuk Ekspresi Estetis Seni Suara.” Resital: Jurnal Seni Pertunjukan 17 (2): 67–74. doi:10.24821/resital.v17i2.2219.
Sutopo, Oki Rahadianto, and Agustinus Aryo Lukisworo. 2020. “Praktik Bermusik Musisi Muda Dalam Skena Metal Ekstrem.” Jurnal Sosiologi Pendidikan Humanis 5 (2): 107. doi:10.17977/um021v5i2p107-119.
Ungaran, Negeri. 2013. “Balok Melalui Media Pembelajaran Sibelius Pada Siswa Kelas Vii G Smp” 2 (2): 2–6.
Widyanta, Nugrahanstya Cahya. 2017. “Efektivitas Keroncong Garapan Orkes Keroncong.” Kajian Seni 03 (02): 165–180.
Zilmi, Fauziatus, Abdul Rachman, and Moh Muttaqin. 2021. “Ngeroncongi And Ngepop : A Study Of Popular Song’s Vocal Performance In Keroncong Music In Semarang.” Jurnal Seni Musik 10 (1): 17–24. doi:10.15294/jsm.v10i1.46812.
DOI: https://doi.org/10.24821/resital.v26i1.12271
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.