Insert Media Studies: The Issue of Cinematography of Dance Posts on Social Media.

The presence of digital technology encourages the acceleration of the movement of local cultural globalization towards the cultural of world entities. This paper intends to expose upload of dance activities as a new civilization of digital culture with various complexities of its dialogical transformation. Research locus on Classical dance Yogyakarta style entering digital media culture requires a qualitative approach. Many information is found in YouTube media, and some uploads selected for data represent several other uploads. Inquiry starts with obtaining data on media studies, literature studies, interview instruments, and aesthetic product downloads over a large number of samples of social media uploads. The flow of research management is carried out from problem mapping, data collection of uploaded products, literary data tracing, and narrative data networking from local cultural actors, to finally be analyzed, and information meaning. The Yogyakarta palace's globalization movement is real and apparent through cultural citizenship strategy in YouTube cinematography products. The forms of journalistic aesthetic work of various palace activities reflect the trans-contextualization of ideas, social behaviour, and the paradigm of creativity in the fight to recognize new digital culture entities. This paper shows the essence of media transform for the interaction dance dialectical activities with the new entity of the world to achieve a local culture in the global community.


Result and discussion
The   In its ability to preserve moments of time in space, photography creates the illusion of quality of life.

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is significantly related to cultural activities, even if the reaction to this worldwide movement tends to be symbolic and problematic with disagreements about fundamental values (Lieber and Weisberg).What is then needed in the inevitable worldwide associations, global interconnection, multiplicities, and dynamic motion is to affirm how aesthetic-scapes can propose the imagination of the world on a global scale.Aesthetics-capes aims to provide a broad range in the field of art discourse and aesthetics of the world.This for the local community will provide an experience for the life of the world and train aspirations for sympathy .A qualitative approach was chosen to be able to systematically explain the cultural citizenship issue of the traditional culture of Yogyakarta palace entering a new entity.The aim of entering to contemporary society can be understood as conservation of heritage, as reusing cultural past to practices of the present that are considered to transmit it to the future generations for population data.Tools are needed to collect data using upload documentation studies, guided interviews with resource persons.To perform the analysis used ATLAS.tiand minds map applications.Research management starts from the clarity of research problems, data discovery, and information collection of naras umber, ATLAS.tianalysis, report preparation, and work results publication.Some upload shapes are selected as samples for population data.Tools are needed to collect data using upload documentation studies, guided interviews with resource persons.To perform the analysis used ATLAS.tiand minds map applications.Research management starts from the clarity of research problems, data discovery, and information collection of naras umber, ATLAS.tianalysis, report preparation, and work results publication.
for the first time media sharing you tube with a link flash mob beksan wanara.The impression of dance to know more is greater in other classical dance styles of Yogyakarta.There is a self-awareness of the current cultural phenomenon with your media tube.The researchers' curiosity is getting stronger, that the media sharing is felt the words that the district shows self-identity, even allegedly directed at object to be themselves as a transformation in the culture of the world.The transformation of the form of classical dance performances in Yogyakarta style is simple but on a cultural perspective, so on.The uploading at digital media means preserving websites that have significant challenges for media creators and choreographers.The digital aesthetics arises from the need to maintain such content in their original hypertextual context (Sabharwal).Content you tube is an aesthetic product of auditive-visual transformation process from who says what to whom.While so many individuals have spent so much time watching television, mass participation in you tube adds another very seductive dimension to the culture of listening media, or some academics refer to it as 'screen culture'.In many ways, this dimension previously did not exist and went unnoticed, but it is growing rapidly as a form of your personal involvement -me, someone, everyone with digital cameras on mobile phones, computers, laptops, iPhones, Black Berries, and automatically involves many people entering into layer (White) The netizen reaction to the upload reflects the new entity's condition in the digital world (Curran).The fact that the recording of classical dance style Yogyakarta on you tube media directly deserves to be associated with world cultural activities, with internet protocol (Curran) There is a certain intention behind the intention of uploading the aesthetics of Yogyakarta dance, and this cognitive fact refers to the act of exhibition on the world cultural life, and directly included in the order of the phenomenon of world citizenship.
photography media is not simple The grammatical problem of the language of these images is not easily known by media workers if they still assume that photography of dance simply represents the eye to glimpse the object of the record.
new and innovative ways to engage with digital artifacts by bringing them back into the world of analog glue and paper, while Yao takes a closer look at the process of political engagement by way of meme-making, sharing and interpreting.Auchter and Eken, in their respective chapters, look at the active involvement inherent in video game play -in which players adopt new bodies and identities and strategic interests -while Eken and Jackson look at how conflict videos and gun production, respectively, engage viewers.Nayak sees how social media users engage -with each other, with stories and by law -online, while Crilley focus on Facebook forces us to consider what it means to engage with military actor photos or posts, when users like, comment on or share the social media output of these actors.As the contribution to this collection shows, popular culture is digitally mediated, inescapable so that, to the extent that digital applications and artifacts are central to world politics in the contemporary era and have a direct impact on the ways in which we face the real world.This space has not received comprehensive analytical attention; research on digital popular culture and world politics remains scanned -something this volume is hopefully starting to address.By conducting research on the nexus of world politics, popular culture and digital technology (as offered by contributors to this volume), we can better understand how people deal with politics in the contemporary world and develop a greater appreciation for the various ways in which world politics(C.Hamilton) Jean Beaman."Citizenship as cultural: theory of cultural citizenship" At its most basic definition, citizenship is a type of membership for a group of people.This is the relationship between a person and a country or individual and a nation.Another perspective on citizenship as a struggle for recognition of traditionally excluded populations is multi-cultural citizenship, which involves "a system of rights and obligations that protects the integrity of individuals while recognizing that individuality is formed in a variety of social and cultural contexts.Such a model of citizenship recognizes that it is not an identity that transcends other identities and that the individual is not uniform, the contours of citizenship itself are(."Citizenship as Cultural: Towards a Theory of Cultural