Representasi Pergolakan Batin Perempuan dalam Film Little Women (Analisis Wacana Kritis Sara Mills)

Sigit Surahman, Ignasius Liliek Senaharjanta, Shella Fendisa

Abstract


The issue of gender is still a debate in society today. Women cannot enjoy a free life, and are often constrained to follow the rules that exist in society. Film as one of the mass media that can convey messages widely, has become a medium used by feminist fighters to raise the issue. One of them is Greta Gerwig's Little Women. The film tells the story of the author's life journey with 3 sisters, each of whom has a dream when they grow up, but has to deal with the rules that limit them, which of course becomes an inner struggle for the March brothers, between achieving their dreams or living in a marriage. The researcher uses a qualitative approach, with Liberal Feminism Theory and Sara Mills Critical Discourse Analysis to analyze the film based on the position of the subject, object, and audience. Intended to find discrimination, as well as stereotypes contained in the film, as the cause of the inner turmoil of women in the film Little Women. The conclusion of this film represents the position of women as marginalized and not getting equal opportunities with men. Various aspects of life limit women's space for movement and place women in a women's social construction, causing inner turmoil in living life between following their wishes, or the rules in society.


Keywords


Representation, women’s interest, critical discourse

Full Text:

PDF

References


Akhyar Yusuf Lubis. (2016). Pemikiran Kritis Kontemporer “Dari Teori Kritis, Cultural Studies, Feminisme, Postkoloniali, hingga Multikultualisme.” Rajawali Press.

Barker, C. (2014). Kamus Kajian Budaya. Kanisius.

Burton, G. (2012). Burton.pdfMedia dan Budaya Populer. Jalasutra.

Darma, Y. A. (2014). Analisis Wacana Kritis dalam Multiperspektif . Bandung: Refika Aditama. Refika Aditama.

Eriyanto. (2018). Analisis Wacana: Pengantar Analisis Teks Media . Yogyakarta: LKiS Group. LKiS Group.

Haryatmoko. (2019). Critical Discourse Analysis. Rajawali Press.

Haryono, A. J., & Anggraini, S. N. (2021). BAYANG SEBAGAI EKSPLORASI KONFLIK BATIN DALAM VISUALISASI PUISI PADA KARYA SENI VIDEO “KINAN.” Sense, 4(2).

Littlejohn, S. W. (2011). Teori Komunikasi. Salemba Humanika.

Mustofa, N. S., Maemunah, S., & Kustanto, L. (2019). ANALISIS MAKNA TANDA PADA FILM KARTINI : RESISTENSI PREEMPUAN JAWA TENGAH TERHADAP BUDAYA PATRIARKI. Sense, 2(1).

Nugroho, R. (2014). Gender dan Strategi Pengarus-Utamaannya di Indonesia. Pustaka Pelajar.

Surahman, Sigit; Annisarizki; Pratiwi, M. (2019). CROSS CULTURE GENERASI MILENIAL DALAM FILM “MY GENERATION.” In Jurnal Rekam (Vol. 15, Issue 1). www.pialamaya.com/nominasi.

Surahman, S. (2015). Representasi feminisme pada Film Indonesia Analisis Semiotika Terkait Feminisme Pada Film 7 Hati 7 Cinta 7 Wanita. LISKI, 1(2), 22–45.

Surahman, S. (2018). OBJEKTIVIKASI PEREMPUAN TUA DALAM FOTOGRAFI JURNALISTIK Analisis Semiotika pada Foto-Foto Pameran Jalan Menuju Media Kreatif #8. In Jurnal Rekam (Vol. 14, Issue 1).

Surahman, S., & Rizqa, D. (n.d.). REPRESENTASI TERKAIT PENAMPILAN FEMINIS PADA TOKOH ALICE (Analisis Semiotika Roland Barthes pada Film “Alice In Wonderland”) (Vol. 1, Issue 1). http://jurnal.usahid.ac.id/index.php/ilmu_komunikasi/issue/view/11




DOI: https://doi.org/10.24821/sense.v5i1.7002

Article Metrics

Abstract view : 373 times
PDF - 133 times

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Sigit Surahman, Ignasius Liliek Senaharjanta

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.