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Keywords Borangan, Budaya Sunda, Seni Film, Video Art Digital migration, Indonesian television, audience interaction, engagement rate, media convergence. Film Documenter 1, Cultural Entity 2, Sawahlunto Shadow Puppets 3 Film Orphan, konflik, pemicu, karakter tokoh utama. Kecerdasan Buatan, Restorasi Visual, Museum Ganjuran Literasi budaya, film animasi, Liyangan. Penyalin Cahaya, low key, misteri. Repertoire of Elements User Generated Content, promosi film, media sosial, e-WOM, viral marketing bullying, keluarga disfungsional, motivational complex, mobile staging copyright curiosity fair use film Scum Mutation, Dokumenter Animasi Eksperimental, Persepsi Auditori, Babak Naratif Tzvetan Todorov, Moda Mendengar Michel Chion film criticism film, wacana, problematika deifikasi, politik freedom of expression konflik lensa regulation. temperatur warna
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Home > Archives > Vol 9, No 1 (2026)

Vol 9, No 1 (2026)

DOI: https://doi.org/10.24821/sense.v9i1

Table of Contents

Articles

HYBRID DOCUMENTARY SEBAGAI ARSIP MEMORI KOLEKTIF: STUDI KASUS PRODUKSI BALIWERTI BARA DI TANAH GADUNGAN
Denny Chrisna Putra
PDF
1-10
HAND-HELD CAMERA SEBAGAI REPRESENTASI “KEKACAUAN DAN KETIDAKPASTIAN” DALAM SERIAL TELEVISI SHŌGUN
Ghalif Putra Sadewa, Yohanes Baptista Baud Priambodo
PDF
11-18
YORUBA FILM INDUSTRY AND ITS (AUTO) – BIOGRAPHICAL GENRE
Azeez Akinwumi Sesan
PDF
19-34
ANALISIS ESTETIKA DAN REALISME VISUAL MELALUI PENGGUNAAN COMPUTER GENERATED IMAGERY (CGI) DALAM FILM WIRO SABLENG
Yunanto Tri Laksono
PDF
35-50
PENGGUNAAN CROSS-CUTTING DALAM MEMPERKUAT KONFLIK KARAKTER UTAMA PADA FILM “EVERYTHING EVERYWHERE ALL AT ONCE”
Adithya Pratama, Gregorius Arya Dhipayana
PDF
51-62
VARIABILITAS REGIONAL DALAM KONSUMSI FILM DI INDONESIA: TINJAUAN KINERJA FILM “PASUTRI GAJE”
Kus Sudarsono, Edelin Sari Wangsa
PDF
63-76
THE GOOD MOTHER AS REPUTATIONAL PERFORMANCE: MYTH AND SOCIAL SURVEILLANCE IN LEFT-HANDED GIRL (2025)
Ni Luh Ayu Sukmawati, Wen-Hung Chao, Denny Antyo Hartanto, Bambang Aris Kartika
Untitled PDF
77-93


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