Professional Identity Transition of Vocational Graduates: Adaptive Strategies of Session Musicians in Jakarta
Abstract
Session musicians occupy a unique position as mobile and flexible professionals who must be able to adapt to diverse musical situations while facing unstable economic and social pressures. The transition from formal education to an industry that demands multidimensional competencies often becomes a highly challenging phase, where the artistic idealism of graduates meets a competitive and unpredictable reality. This study aims to understand the transition of graduates from the Vocational Program in Music Performance toward a career as session musicians in Jakarta’s music industry. The main focus of this research is to reveal the challenges faced by the graduates and the adaptive strategies they develop to sustain their careers. This research employs a qualitative case study approach within the framework of grounded theory. Data were collected through in-depth interviews and both participatory and non-participatory observations involving fourteen informants, consisting of music college graduates, community musicians, producers, and music directors. Data analysis was conducted through open coding, axial coding, and selective coding to identify thematic categories. The results show that formal education provides a technical foundation but does not fully prepare graduates to face the fluid and uncertain realities of the industry. Conversely, adaptive strategies such as cross-genre musical flexibility, non- formal learning through mentoring and observation, personal branding, reputation management, networking, and technological adaptation emerge as key competencies determining career success. These findings affirm that the resilience of session musicians is shaped not only by technical skills but also by social, symbolic, and cultural capital developed beyond formal education. Theoretically, this study expands the discussion on musicians’ professional identity and the precarity of creative labor in Indonesia. Practically, it implies the need to strengthen the vocational music curriculum to emphasize not only musical skills but also professional networking, entrepreneurship, and digital literacy to better prepare graduates for the competitive music industry.
Keywords
Full Text:
PDFReferences
Akbar, M. A. (2020). Implementation Fernando Martinez’s Practice Methods On Drumset Instrument Class. Journal of Urban Society’s Arts, 7(1), 43–51. https://doi.org/10.24821/jousa.v7i1.3329
Akil, R., Rasyidin, N., & Lumongga Dwihadiah, D. (2024). Mediatized World in Digital Music Industry: Transformations, Challenges, and Opportunities - A Study in Indonesia. Daengku: Journal of Humanities and Social Sciences Innovation, 4(3), 443–449. https://doi.org/10.35877/454ri. daengku2549
Alzaanin, E. I. M. (2020). Combining case study design and constructivist grounded theory to theorize language teacher cognition. Qualitative Report, 25(5), 1361–1376. https://doi.org/10.46743/2160- 3715/2020.4047
Ballico, C., & Foran, S. (2024). Capacity building and professional development in contemporary music careers: An Australian contemporary music case study. International Journal of Music Education, 42(4), 511–522. https://doi.org/10.1177/02557614231184846
Banks, M., & Hesmondhalgh, D. (2009). Looking for work in creative industries policy. International Journal of Cultural Policy, 15(4), 415–430. https://doi.org/10.1080/10286630902923323
Becker, S. H. (1982). Art Worlds. In A Dictionary of Cultural and Critical Theory, Second Edition. https:// doi.org/10.7208/chicago/9780226041056.003.0007
Bennett, D. (2016). Developing employability in higher education music. Arts and Humanities in Higher Education, 15(3–4), 386–395. https://doi.org/10.1177/1474022216647388
Bridgstock, R. (2011). Elham Lafzi Ghazi, Miguel Goede, Article. Education+ Training, 53. http://www. emeraldinsight.com/doi/abs/10.1108/00400911111102333
Budiman, M., & Kusno, A. (2024). Collective memory, marginality, and spatial politics in urban Indonesia. In Collective Memory, Marginality, and Spatial Politics in Urban Indonesia. https://doi. org/10.1007/978-981-97-4304-9
Comunian, R., Gilmore, A., & Jacobi, S. (2015). Higher Education and the Creative Economy: Creative Graduates, Knowledge Transfer and Regional Impact Debates. Geography Compass, 9(7), 371–383. https://doi.org/10.1111/GEC3.12220
Coulson, S. (2012). Collaborating in a competitive world: Musicians’ working lives and understandings of entrepreneurship. Work, Employment and Society, 26(2), 246–261. https://doi.org/10.1177/0950017011432919
Darlene, E. (2024). Identitas Kultural Musik Pop Indonesia dalam Konteks Seni Urban. Tonika: Jurnal Penelitian Dan Pengkajian Seni, 7(1), 49–61. https://doi.org/10.37368/tonika.v7i1.573
Djuanto, A. S., & Y. S. Suyasa, P. T. (2024). Psychosocial Experiences of Indonesian Performing Musicians In Building a Sustainable Career. Asian Journal of Social and Humanities, 2(4), 796–819. https:// doi.org/10.59888/ajosh.v2i4.224
Everts, R., Hitters, E., & Berkers, P. (2022). The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry. Creative Industries Journal, 15(1), 97–117. https://doi.org/10.1080/17510694.2021.1899499
Fernando, & Yohannis, A. R. (2024). Digital Transformation in the Music Industry: Session Musicians Matchmaking Platform Effectiveness Analysis. International Journal on Advanced Science, Engineering and Information Technology, 14(5), 1521–1527. https://doi.org/10.18517/ijaseit.14.5.20072
Geurts, A., & Cepa, K. (2023). Transforming the music industry: How platformization drives business ecosystem envelopment. Long Range Planning, 56(4), 102327. https://doi.org/10.1016/j. lrp.2023.102327
Grace, J. (2006). Beyond Talent: Creating a Successful Career in Music. In American Music Teacher (Vol. 55, Issue 6). http://0 search.ebscohost.com.mercury.concordia.ca/login.aspx?direct=true&db=aph &AN=21102888&site=ehost-live
Gus Abdurrahman Wahid, A. (2021). Marketing Communication Adaptation In Music Industry In Indonesia Amidst The Covid19 Pandemic: A Case Study Of Independent Musicians. Komunika, 4(2), 137–149. https://doi.org/10.24042/komunika.v4i2.10256
Hamdani, A., Abdulkarim, A., & Nugraha, E. (2020). Vocational Education in the Industrial 4.0 Era: Challenges and Opportunities Aam. Behavioral and Social Sciences Librarian, 8(3–4), 85–94. https:// doi.org/10.1300/J103v08n03_14
Hanorsian, Sihombing, & N. (2025). Beyond Musical Talent: The Role of Professional Networks in Musicians’ Career Development in Jakarta. 16(1), 79–97. https://doi.org/10.32832/jm-uika.v16i1.18111
Herbst, J. P., & Albrecht, T. (2018). The work realities of professional studio musicians in the German popular music recording industry: Careers, practices and economic situations. IASPM Journal, 8(2), 18–37. https://doi.org/10.5429/2079-3871(2018)v8i2.3en
Ibarra, H. (1999). Provisional selves: Experimenting with image and identity in professional adaptation.
Administrative Science Quarterly, 44(4), 764–791. https://doi.org/10.2307/2667055 Juliet, Corbin & Strauss, A. (2015). Basics of Qualitative Research.pdf.
Karlsen, S. (2011). Using musical agency as a lens: Researching music education from the angle of experience. Research Studies in Music Education, 33(2), 107–121. https://doi.org/10.1177/1321103X11422005 Lalchev, Stefan and Oliver, P. G. (2022). Rethinking the Music Business. September, 55-72Lalchev, P.G.O.and S. 2022, Rethinking the M. https://doi.org/10.1007/978-3-031-09532-0
Lase, D. (2019). Pendidikan di Era Revolusi Industri 4.0. SUNDERMANN: Jurnal Ilmiah Teologi, Pendidikan, Sains, Humaniora Dan Kebudayaan, 12(2), 28–43. https://doi.org/10.36588/ sundermann.v1i1.18
Menger, P. M. (2017). Contingent high-skilled work and flexible labor markets. Creative workers and independent contractors cycling between employment and unemployment. Swiss Journal of Sociology, 43(2), 253–284. https://doi.org/10.1515/sjs-2017-0015
Nudin, B. (2017). Strategi Pengembangan Daya Saing Lulusan Teknik Industri Fakultas Teknik: Studi Kasus PTS X di Kopertis Wilayah II. Operations Excellence, 9(2), 164–172. file:///C:/Users/Asus/ Downloads/null (28).pdf
OECD. (2019). OECD skills outlook 2019. Organisation for Economic and Co-operation and Development. https://www.oecd.org/en/publications/oecd-skills-outlook-2019_df80bc12-en.html
Pierre Bourdieu. (1993). Field of Cultural Production.Pdf.
Pradhita, W. A. (2022). Living in Artistic Career: The Role of Job Crafting towards Work Identity for Musicians. Buletin Psikologi, 30(2), 315. https://doi.org/10.22146/buletinpsikologi.64185
Putranto, F. G. F., Natalia, C., & Pitriyani, N. K. D. (2024). Closing the Gap Between Education and Labor Market Requirement: Do Vocational Education Matter? The Journal of Indonesia Sustainable Development Planning, 5(3), 181–191. https://doi.org/10.46456/jisdep.v5i3.614
Risfandini, A., & Adinda Putri Mustika. (2023). The Use of Case Study and Grounded Theory Research Strategy in Interpretive Research in Tourism. Barista : Jurnal Kajian Bahasa Dan Pariwisata, 10(01), 94–105. https://doi.org/10.34013/barista.v10i01.1117
Scott, M. (2012). Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu’s alternative capitals. Poetics, 40(3), 237–255. https://doi.org/10.1016/j. poetic.2012.03.002
Sosrowijaya, K. M. (2023). Transmission of Local and Traditional Music in Indonesian Popular Music (Case Studies of Indonesian Music Groups). Harmonia : Journal of Music and Arts, 1(1), 55–66. https://doi.org/10.61978/harmonia.v1i1.165
Spencer & Spencer. (1993). Competence at Work:Models for superior performance.
Susatya, E., Mahmudah, F. N., & Budhiasih, R. (2022). Mapping professional competency for teachers’ productive arts and culture of vocational school. Jurnal Pendidikan Vokasi, 12(1), 21–33. https:// doi.org/10.21831/jpv.v12i1.44830
Sutopo, O. R. (2017). Young Jazz Musicians and Negotiation of Public Space in Yogyakarta Indonesia.
Komunitas, 9(2), 225–236. https://doi.org/10.15294/komunitas.v9i2.10060
Sutopo, O. R., Nilan, P., & Threadgold, S. (2017). Keep the hope alive: young Indonesian musicians’ views of the future. Journal of Youth Studies, 20(5), 549–564. https://doi.org/10.1080/13676261
.2016.1241871
Taufiqur’anam, S. A., Fitriasari, R. D. P., & Tjahyadi, S. (2025). Calligraffiti on Sarong : The Challenges of Contemporary Batik Creativity in Santri Culture. Journal of Urban Society’s Arts, 12(1), 1–13. https://journal.isi.ac.id/index.php/JOUSA/article/view/13284/4314
DOI: https://doi.org/10.24821/jousa.v12i2.17614
Refbacks
- There are currently no refbacks.

This work is licensed under a Creative Commons Attribution 4.0 International License. ISSN 2355-2131 (print) | ISSN 2355-214X (online).




