Analisis Tata Kelola Seni Pertunjukan di Taman Budaya Yogyakarta

Ahmad Hasfi Alhazmi

Abstract


Pandemik covid-19 berdampak besar terhadap penyelenggaraan seni pertunjukan di Taman Budaya Yogyakarta. Penelitian ini bertujuan untuk mendeskripsikan tata kelola seni pertunjukan di Taman Budaya Yogyakarta pada masa pandemik covid-19. Penelitian ini merupakan penelitian deskriptif kualitatif fenomenologi. Sasaran penelitian adalah UPT Taman Budaya Yogyakarta. Informan terdiri dari enam orang yaitu Kepala UPT, Seksi Penyajian dan Pengembangan Seni Budaya, Seksi Dokumentasi dan Informasi Seni Budaya, serta tiga seniman. Teknik pengumpulan data menggunakan observasi, wawancara, dan dokumentasi. Analisis data menggunakan analisis deskriptif dengan cara reduksi data, penyajian data, penarikan kesimpulan/verifikasi. Hasil penelitian pada Perencanaan mengacu program dari pemerintah daerah sebagai kegiatan rutin, ditambah dengan pertunjukan melalui seleksi proposal dari masyarakat, penyusunan program dengan adaptasi kebutuhan media pada masa pandemik covid-19. Pengorganisasian dan Pengawasan dilaksanakan sesuai dengan perencanaan, pola hubungan dilaksanakan secara kerja sama lintas seksi sesuai dengan tugas dan fungsi. Pengawasan di bawah seksi bidang penyajian dan pengembangan seni budaya serta seksi bidang dokumentasi dan publikasi. Beberapa hambatan ditemukan mulai dari peralatan, serta keterbatasan SDM. Evaluasi dilakukan setiap program berjalan, laporan langsung kepada Kepala Taman Budaya Yogyakarta dalam bentuk LPJ. Tindak lanjut berupa pengembangan inovasi program seperti peralatan daring bekerja sama dengan pihak luar dan inovasi program kepada kalangan disabilitas walaupun masih banyak keterbatasan.

 

Analysis of Governance in the Performing Arts Culture Yogyakarta

ABSTRACT

The covid-19 pandemic has significantly impacted the implementation of performing arts at Taman Budaya Yogyakarta. This study aims to describe the governance of performing arts in Taman Budaya Yogyakarta during the covid-19 pandemic. This research is a qualitative descriptive research of phenomenology. The target of the study was UPT Taman Budaya Yogyakarta. The informants comprised six: the Head of UPT, the Cultural Arts Presentation and Development Section, the Cultural Arts Documentation and Information Section, and three artists. Data collection techniques use observation, interview, and documentation techniques. Data analysis uses descriptive data reduction, presentation, and concluding/verification. The results of this research are on Planning to refer to programs from local governments as routine activities, coupled with performances through the selection of proposals from the community and preparation of programs adapting to media needs during the covid-19 pandemic. Organizing and supervision are carried out by planning, and the pattern of relationships is carried out in cross-sectional cooperation following duties and functions, supervised under the section in the field of presentation and development of cultural arts and the section in the field of documentation and publications. Several obstacles were found, ranging from equipment to limited human resources. Evaluation is carried out every running program, a direct report to the head of Taman Budaya Yogyakarta in the form of LPJ. Follow-up is in the form of developing program innovations such as online equipment in collaboration with outside parties and program innovations for people with disabilities, although there are still many limitations.


Keywords


seni pertunjukan, tata kelola, masa pandemik covid-19 | performing arts, governance, the pandemic covid-19

References


DIY, B. (2022). Informasi yang wajib diumumkan secara berkala. bappeda.jogjaprov.go.id. http://bappeda.jogjaprov.go.id/informasi_publik/informasi-berkala

Djatnika, A. (2011). Dari ritual ke realitas virtual (tinjauan video komersial seni pertunjukan tradisi yang beredar di Bandung ). Itenas Rekarupa: Jurnal Desain Dan Seni Rupa, 1(1), 70–84. https://ejurnal.itenas.ac.id/index.php/rekarupa/article/view/487

Elvira, E. (2017). Pengaruh live performance, kualitas pelayanan, dan persepsi harga terhadap kepuasan penonton sendratari ramayana Prambanan. Jurnal Tata Kelola Seni, 2(2), 49–65. https://doi.org/10.24821/jtks.v2i2.1822

Hahm, J. B., Byon, K. K., Hyun, Y. A., &, & Hahm, J. (2022). The show must go on: The mediating role of self-assessment in the relationship between performers’ technology acceptance and satisfaction level with remote performances in Korea during the COVID-19 pandemic. Technology in Society, 68. https://doi.org/10.1016/j.techsoc.2021.101855

Halilintar, L. (2009). Sanggar seni. Padat Karya.

Laksono, Y. T. (2021). Perilaku virtual penyelenggaraan seni pertunjukkan di masa pandemi covid 19 - analisis musik. Terob, 12(1), 102–114. https://doi.org/https://doi.org/10.20111/st.v12i1.175

Manganti, G. S. (2021). I will survive: Perwujudan adaptasi di masa pandemi melalui karya tari video. Joged-Jurnal Seni Tari, 17(2), 157–171. https://doi.org/10.24821/joged.v17i2.6348

Marciano, R. (2020). Senakreasi: Seminar Nasional Kreativitas dan Studi Seni Problematika seni pertunjukan di masa pandemi melalui pengalaman empirik Performing arts problems during the pandemic through empirical experiences. 2, 109–121.

Paulus, G. (2022). Penerimaan Teknologi Gawai dalam Menonton Pertunjukan Teater Virtual di Era Pandemi Covid 19. Jurnal Netnografi Komunikasi, 1(1), 31–37. https://netnografiikom.org/index.php/netnografi/article/view/5

Ruastiti, N. M., Sudirga, I. K., & Yudarta, I. G. (2021). Wayang Wong Bali performance in era pandemic Covid 19. IOP Conference Series: Earth and Environmental Science, The 5th International Conference on Climate Change 2020, 724(1), 6–13. https://doi.org/10.1088/1755-1315/724/1/012109

Sugiyono. (2016). Metode penelitian pendidikan: Pendekatan kuantitatif, kualitatif, dan R&D. Alfabeta.

Sunaryo, T. B. (2021). Seni pertunjukan ritual sebagai bahan refleksi kepariwisataan dalam menghadapi dampak covid-19. In Kapita Selekta Pariwisata di Era Adaptasi Kebiasaan Baru (pp. 183–197). Stipram Press. http://repository.stipram.ac.id/700/1/Chapter 15.pdf

Szostak, M. (2022). Art management during the COVID-19 pandemic: Visual arts creator perspective. Entrepreneurship and Sustainability Issues, Visual Entrepreneurship and Sustainability Center, 10(2), 10–22. https://doi.org/10.9770/jesi.2022.10.2(1)

Utami, F. G. N. (2018). Tata kelola festival seni pertunjukan. ISI Press. http://repository.isi-ska.ac.id/3231/2/TATA KELOLA FSP1.pdf

Violeta Wosi Permata. (2018). Strategi pengembangan manajemen Jember fashion carnaval. Anterior Jurnal, 17(2), 69–78.

Wibowo, A. A., Saifuddin, W., Putri, C. P., Isnaini, F. N., &, & Latif, F. S. (2022). Audit komunikasi program pertunjukan seni cahaya pada masa pandemik (Studi kasus: Sumonar fetival 2020). Eqien-Journal of Economics and Business, 10(2), 429–435. https://doi.org/https://doi.org/10.34308/eqien.v10i2.634

Yusuf, S. M. (2021). Laporan aktualisasi: Vol. Latsar CPN. jogjaprov.go.id




DOI: https://doi.org/10.24821/jtks.v9i1.8380

Article Metrics

Abstract view : 0 times
PDF (Bahasa Indonesia) - 0 times

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Ahmad Hasfi Alhazmi

Editorial Address:

Graduate School of the Indonesia Institute of the Arts Yogyakarta

Jalan Suryodiningratan 8 Yogyakarta 55143, Indonesia

Telp./Fax: 0274 419791 email: tatakelolasenijurnal@gmail.com

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

Visitors