PANCA MAHA BUTA: KESEIMBANGAN EKOLOGI DAN HARMONI ALAM SEMESTA DALAM SEBUAH FILM TARI

Yosef Adityanto Aji

Abstract


ABSTRAK

Panca Maha Buta merupakan karya yang dikategorikan sebagai film tari. Karya ini merupakan kolaborasi antara tari dan sinema sehingga menjadi satu kesatuan bentuk estetika visual. Proses penciptaan Panca Maha Buta menggunakan metode koreografi dan sinematografi, di mana masing-masing pendekatan saling berkaitan dan saling melengkapi. Karya ini ditarikan oleh delapan penari, menceritakan kisah perjalanan seorang perempuan dalam mencari keseimbangan ekologi dan harmoni alam. Panca Maha Buta terbagi dalam enam adegan, yang masing-masing adegan menggunakan lokasi yang berbeda. Hal ini bertujuan untuk memperkuat konsep berkarya yang sesuai dengan konsep dan tema cerita. Panca Maha Buta menggunakan dua konsep utama dalam penyajiannya, yaitu film tari naratif dan film tari abstrak atau konseptual.

ABSTRACT

Panca Maha Buta is a work categorized as a dance film. This work is a collaboration between dance and cinema so that it becomes a unified form of visual aesthetics. The creation process of Panca Maha Buta uses choreography and cinematography methods, where each approach is interconnected and complementary. This work is danced by eight dancers, telling the story of a woman's journey seeking ecological balance and natural harmony. Panca Maha Buta is divided into six scenes, each scene using a different location. This aims to strengthen the concept of working in accordance with the concept and theme of the story. Panca Maha Buta uses two main concepts in its presentation, namely narrative dance film and abstract or conceptual dance film.


Keywords


Koreografi, Sinematografi, and Film Tari||Choreography, Cinematografi, and Dance film.

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References


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DOI: https://doi.org/10.24821/joged.v24i2.17919

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