Kritik Pertunjukan pada Sonata Biola Ysaÿe ‘Obsession’ Melalui Teori Kritik Seni Feldman
| Dublin Core | PKP Metadata Items | Metadata for this Document | |
| 1. | Title | Title of document | Kritik Pertunjukan pada Sonata Biola Ysaÿe ‘Obsession’ Melalui Teori Kritik Seni Feldman |
| 2. | Creator | Author's name, affiliation, country | Egaputra Tweeda Pinta; Post Graduate Programme Indonesian Institute of Art; Indonesia |
| 2. | Creator | Author's name, affiliation, country | Suwarno Wisetrotomo; Post Graduate Programme Indonesian Institute of Art; Indonesia |
| 2. | Creator | Author's name, affiliation, country | Pipin Garibaldi; Undergraduate Programme Indonesian Institute of Art; Indonesia |
| 3. | Subject | Discipline(s) | |
| 3. | Subject | Keyword(s) | kritik; sonata ‘Obsession’; Eugène Ysaÿe; kritik seni Feldman |
| 4. | Description | Abstract | Artikel ini bertujuan untuk memberikan penilaian dalam bentuk kritik pada pertunjukan (Permainan) Sonata Ysaÿe nomor dua ‘Obsession’ sebagai karya musik yang virtuoso. Sonata ‘Obsession’ dipengaruhi oleh karya Bach yaitu Partita E mayor Prelude. Permasalahan yang disoroti adalah perbedaan interpretasi oleh lima pemain biola pada praktik pertunjukan sonata ‘Obsession’, pada konser musik biola skala internasional dari video media sosial YouTube. Penelitian ini merupakan penelitian kualitatif dengan pendekatan kritik seni Feldman. Tahapan penelitian yaitu studi literatur, observasi tidak langsung, dan dokumentasi dari audio-visual. Analisis data menggunakan kerangka kritik seni Feldman yang meliputi tahapan deskripsi, analisis formal, interpretasi, dan penilaian. Hasil penelitian yang diperoleh dari lima pemain biola pada konser skala internasional menunjukkan, walaupun karya Sonata Ysaÿe ‘Obsession’ mengandung ritme tempo cepat (virtuos), tetapi secara musikal memikat, menunjukkan unsur ekspresif, estetik, dalam bentuk musik bebas. Performance Critic on Ysaÿe's Violin Sonata 'Obsession' Through Feldman's Art Critic Theory Abstract This article aims to provide an assessment in the form of criticism on the Performance (Play) of Ysaÿe's Sonata Number Two 'Obsession' as a virtuoso piece of music. Bach's Partita E Major Prelude influences the' Obsession' sonata. The problem highlighted is the difference in interpretation by five violinists regarding the practice of performing the sonata 'Obsession' at an international scale violin music concert from a YouTube social media video. This research is qualitative research with Feldman's art criticism approach. The research stages are literature study, indirect observation, and audio-visual documentation. Data analysis uses Feldman's art criticism framework, which includes stages of description, formal analysis, interpretation and assessment. The results of research obtained from five violinists at international scale concerts show that, although Ysaÿe's Sonata 'Obsession' contains fast tempo rhythms (virtuosic), it is musically very captivating, showing expressive, aesthetic elements in the form of free music. Keywords: critic, Obsession sonata, Eugene Ysaÿe, Feldman art critic |
| 5. | Publisher | Organizing agency, location | Institut Seni Indonesia Yogyakarta |
| 6. | Contributor | Sponsor(s) | |
| 7. | Date | (YYYY-MM-DD) | 2024-10-26 |
| 8. | Type | Status & genre | Peer-reviewed Article |
| 8. | Type | Type | |
| 9. | Format | File format | |
| 10. | Identifier | Uniform Resource Identifier | https://journal.isi.ac.id/index.php/promusika/article/view/13431 |
| 10. | Identifier | Digital Object Identifier (DOI) | https://doi.org/10.24821/promusika.v12i2.13431 |
| 11. | Source | Title; vol., no. (year) | PROMUSIKA; Vol 12, No 2 (2024): Oktober, 2024 |
| 12. | Language | English=en | ind |
| 13. | Relation | Supp. Files | |
| 14. | Coverage | Geo-spatial location, chronological period, research sample (gender, age, etc.) | |
| 15. | Rights | Copyright and permissions |
Copyright (c) 2024 PROMUSIKA This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. |