Mary, Esmeralda, and Frollo: A Hermeneutic Reading of “The Hunchback of Notre Dame – The Musical”

Chrysogonus Siddha Malilang

Abstract


Mary, Esmeralda, and Frollo: A Hermeneutic Reading of “The Hunchback of Notre Dame – The Musical”. This essay aims to analyze the multimodal storytelling involving songs in The Hunchback of Notre Dame – The Musical. Two songs, “God Helps the Outcasts” and “Hellfire”, are chosen to be analyzed hermeneutically. The primary analysis is done through the scrutiny over the juxtaposition of different musical styles in the said songs. Comparisons to Victor Hugo’s original text and the Disney animated version – in which the musical is based on – is also done to shed more light on the new layers of interpretation.

Keywords


musical juxtaposition; musical theatre; liturgical music; multimodal storytelling

Full Text:

PDF

References


Alvstad, C. (2010). “Children’s Literature and Translation”. In Y. Gambier & L. von Doorslaer (Eds.). Handbook of Translation Studies vol. 1. New York: John Benjamins Publishing. p 22 – 7

Becket, S.L. (2011). “Crossover Literature”. In P. Nel & L. Paul (Eds.) Keywords for Children’s Literature. New York: NYU Press. p 58 – 61

Bribitzer-Stull, M. (2015). Understanding the Leitmotif: From Wagner to Hollywood Film Music. Cambridge: Cambridge University Press

Di Giovanni, E. (2003). “Cultural Otherness and Global Communication in Walt Disney Films at the Turn of the Century”. The Translator. 9(2). 207 – 203. Doi: 10.1080/13556509.2003.10799154

Foley, H. (2003). “Choral Identity in Greek Tragedy”. Classical Philology. 98(1). 1 - 30

Grossman, K. (2001). “From Classic to Pop Icon: Popularizing Hugo”. The French Review, 74(3), 482-495. Retrieved from http://www.jstor.org.proxy.mau.se/stable/399430

Maricic, G. & Milanovic, M. (2016). “The Tragic Chorus in Ancient Times and Nowadays: Its Role and Staging”. Истраживања. 27. 58 – 68

Meyer, S. (2012). ”’Leitmotif’: On the Application of a Word to Film Music”. Journal of Film Music. 5(1-2). p 99 - 106

Simaika, R. (1962). Inspiration épique dans les romans de Victor Hugo (l´). Paris: Droz

Stone, B. (1999). Religion and Violence in Popular Film. Journal of Religion and Film. 3(1). Article 5

Weiner, A. (1980). “The Function of the Tragic Greek Chorus”. Theatre Journal. 32(2). 205 - 212

Wildgen, K. (1976). “Romance and Myth in Notre-Dame de Paris”. The French Review. 49(3). 319-327. Retrieved from https://www.jstor.org/stable/390169

Wingstedt, J., Brändström, S., & Berg, J. (2010). Narrative Music, Visuals and Meaning in Film. Visual Communication. 9(2) p 193 – 210

Wood, N. (1999). “Introduction: Children’s Literature and Religion”. Children’s Literature Association Quarterly. 24(1). 1 – 3




DOI: https://doi.org/10.24821/resital.v20i2.3499

Article Metrics

Abstract view : 0 times
PDF - 0 times

Refbacks

  • There are currently no refbacks.





This work is licensed under a Creative Commons Attribution 4.0 International License.