Fetish in Amateur Photography Practices
Abstract
People, including amateur photographers, have been experiencing development on digital technology. Amateur phothographers are those who practicing photography as a hobby and join a photography club. Although at first people doubted the quality and performance of the digital tecnology, until now it has been growing to become a fetish. In the practice domain, it is cherished as a god-powered machine able to do incredible tasks. This research aimed at studying the psychological and sociological conditions of amateur photographers at the shift of technology from analog to digital photography and close to the the post-digital era. Technology transformation has brought about significant impacts on photographers’ perspective about creating, displaying, and publishing photographs. The qualitative data were collected from literature study and interviews with senior photographers famous for their achievements among the amateurs, especially those who joined the Salonfoto Indonesia. The result of this study shows that fetishism on digital technology in amateur photographers’ practices does not automatically become the only method employed in exploring their creativity sources. Based on the aesthetical experiences of the amateurs, it can be concluded that digital technology functions only as a computing system to perfect the creative works. Technigue is important but not the most important one.
Fetis dalam Praktik Fotografi Amatir
Abstrak
Perkembangan digital sangat dirasakan oleh semua orang termasuk fotografer amatir. Mereka termotivasi untuk pengembangan diri, bersosialisasi dan berpartisipasi dalam kontes fotografi. Walaupun pada awalnya diragukan dalam performa kualitasnya. Dalam praktiknya, teknologi digital seperti mesin yang menjadi dewa, ia menjadi fetis, seolah-olah memiliki kekuatan yang luar biasa untuk menghasilkan foto yang bagus. Penelitian ini mengkaji kondisi-kondisi psikologis dan sosiologis amatir sebagai akibat dari peralihan teknologi analog ke digital dan menjelang pasca digital. Dampak transformasi teknologi sangat memengaruhi perspektif dalam mencipta, menyajikan, dan mempublikasikan foto mereka. Metode pengumpulan data menggunakan kualitatif yang bersumber pada studi kepustakaan dan mewawancarai beberapa fotografer senior yang sudah sangat dikenal prestasinya di kalangan amatir, khususnya Salonfoto Indonesia. Hasil awal dari penelitian ini menunjukkan tranformasi teknologi digital mengubah paradigma amatir senior, yang semula menganggap digitalisasi merupakan mesin rumit dan membingungkan, sehingga mereka berusaha mempertahankan nilai-nilai 'tradisional' fotografi analog yang mengutamakan proses manual. Kesimpulan yang dapat dirangkum bahwa fetisisme teknologi digital dalam praktik fotografer amatir, tidak serta-merta menjadi satu-satunya metode yang dapat mendukung eksplorasi sumber daya ciptanya. Berdasarkan pengalaman estetika amatir, teknologi digital hanya sebagai suatu sistem komputasi untuk menyempurnakan olah kreatif. Teknis penting, tapi bukan yang terpenting!
Keywords
Full Text:
PDFReferences
Benjamin, W. (n.d.). Illuminations - Essay and Reflections. Edited by Hannah Arendt (1968) - New preface by Leon Wieseltier (2007). Schocken Books.
Benjamin, W. (2008). The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media (Tr. Edmund Jephcott, et.al). The Belknap Press of Harvard University Press.
Bunyan, M. (2013). “Exhibition: ‘faking it: manipulated photography before photoshop’ at the Metropolitan Museum of Art, New York.” Art Blart. https://artblart.com/tag/henry-peach-robinson-fading-away/
Burgin, V. (Ed). (1982). Thinking Photography. Macmillan Press.
Hillman, J. (2017). Photography and its failure to represent. University of the Arts London and Falmouth University.
Hirsch, R. (2008). Photographic Possibilities The Expressive Use of Equipment, Ideas, Materials, and Processes. Routledge.
https://doi.org/https://doi.org/10.4324/9780080927756
Kaplan, L. J. (2006). Cultures of Fetishism. Palgrave Macmillan.
Lee, D.-H. (2010). Digital Cameras, Personal Photography and the Reconfiguration of Spatial Experiences. In The Information Society (Vol. 26, Issue 4, pp. 266–275). Routledge - Taylor & Francis Group.
Michell, W. J. (1998). The Reconfigured Eye, Visual Truth in the PostPhotographic Era. MIT Press.
Ratna, N. K. (2016). Metodologi Penelitian - Kajian Budaya dan Ilmu-Ilmu Sosial Humaniora pada Umumnya. Pustaka Pelajar.
Rubinstein, D. (2013). Digital Image. Routledge.
https://www.academia.edu/4595376/Digital_Image
Informan
Budi Yuwono, aka Budi "ccline" is a digital imaging artist, living in Sleman, Yogyakarta. https://www.instagram.com/budi.ccline/.
DOI: https://doi.org/10.24821/ijcas.v9i2.8218
Article Metrics
Abstract view : 351 timesPDF - 315 times
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.