| Issue | Title | |
| Vol 4, No 1 (2017): June 2017 | 14th International Conference for Asia Digital Art and Design | Details PDF |
| Yusup Sigit Martyastiadi | ||
| Vol 11, No 2 (2024): December 2024 | A Critical Literature Review of Mediatization of Art on Instagram | Abstract PDF |
| Nadiyah Tunnikmah, Budi Irawanto, Agung Hujatnika | ||
| Vol 4, No 1 (2017): June 2017 | A Study of Knitted Fabric from Thai Silk Waste Yarn | Abstract PDF |
| Peeraya Sramala | ||
| Vol 1, No 1 (2014): June 2014 | Aesthetic Transformation of Video4Change Project Through Postmodernism Studies | Abstract PDF |
| Sazkia Noor Anggraini | ||
| Vol 8, No 1 (2021): June 2021 | Aesthetics of Virtual: The Development Opportunities of Virtual Museums in Indonesia | Abstract PDF |
| Ayu Soraya, Yusup Sigit Martyastiadi | ||
| Vol 3, No 2 (2016): December 2016 | Alternative Conceptions of Modernity in the History of Iban Popular Music | Abstract PDF |
| Connie Lim Keh Nie | ||
| Vol 5, No 1 (2018): June 2018 | Alternatives Formation of Bricks Pattern from Trowulan through parametric design | Abstract PDF |
| Stephanus Evert Indrawan | ||
| Vol 2, No 1 (2015): June 2015 | An Example of Art Management in Java: Art Management and Community Management Using Local Folk Art | Abstract PDF |
| Kaori Okado | ||
| Vol 9, No 2 (2022): December 2022 | An Iconographic Study of Sultan Mohammad Naqash's Painting Called "Masti Lahouti - Nasuti " | Abstract PDF |
| Seyed Mohammad Taheri Qomi | ||
| Vol 10, No 1 (2023): June 2023 | Andarele Dance: The Female Body Empowerment Through The Sensual Movement | Abstract PDF |
| Cristina Duque Martinez | ||
| Vol 11, No 2 (2024): December 2024 | Animistic Practices in the Production of Indigenous Visual Arts in the Bussie Traditional Area, Ghana | Abstract PDF |
| Babaaradio Kombui, Eric Appau Asante, Dickson Adom, Eugene Padditey | ||
| Vol 1, No 1 (2014): June 2014 | Anna Halprin, Dancing Life/ Danser la vie \ Edited by Baptiste Andrien and Florence Corin | Details PDF |
| Sally Gardner | ||
| Vol 7, No 2 (2020): Desember 2020 | Art and Artist Movement in Banten Edi Bonetski X PengPeng | Abstract PDF |
| Gisela Anindita | ||
| Vol 1, No 2 (2014): December 2014 | Art as the Energy of Life Creative Process Representation of Sasak Womanhood in Visual Media | Abstract PDF |
| Lucky Wijayanti | ||
| Vol 5, No 1 (2018): June 2018 | Art as the Manifestation of Embodiment in the Age of Modern technology | Abstract PDF |
| Ferdinand Indrajaya | ||
| Vol 3, No 1 (2016): June 2016 | Art of Engagement: Visual Art of Thailand in Global Contexts | Abstract PDF |
| Thanom Chapakdee | ||
| Vol 8, No 2 (2021): December 2021 | Art, the Ancient Spirit of ‘Gotong Royong’, and The Global Pandemic Village | Abstract PDF |
| Salima Hakim | ||
| Vol 2, No 2 (2015): December 2015 | “I Liked it, Didn’t Love It,”3 Edition Screenplay Development from the Inside Out, Los Angeles, ESE (Edwards Skerbelis Entertainment by Edwards, R. & Skerbelis, M. (2016) rd | Details PDF |
| Gabrielle Kelly | ||
| Vol 10, No 1 (2023): June 2023 | “Matuya Metta” Creation of Javanese Dance Drama from the Story of Phra Lor | Abstract PDF |
| Oky Bima Reza Afrita | ||
| Vol 10, No 2 (2023): December 2023 | Binaural Audio and 360 Video: Immersive Method of Preserving Banten's Culture and History | Abstract PDF |
| Jason Obadiah | ||
| Vol 7, No 1 (2020): June 2020 | Biomimicry Learning as Inspiration for Product Design Innovation in Industrial Revolution 4.0 | Abstract PDF |
| Dina Lestari | ||
| Vol 2, No 1 (2015): June 2015 | Byl, Julia, Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Wesleyan University Press: Middletown, Connecticut | Details PDF |
| Margaret Kartomi | ||
| Vol 6, No 1 (2019): June 2019 | Century of the Angklung Journey and Its Establishment in Thailand | Abstract PDF |
| Poonpit Amatyakul | ||
| Vol 3, No 2 (2016): December 2016 | Collaborations and Design Development of Local Craft Products: Service Design for Creative Craft Community | Abstract PDF |
| Rasa Suntrayuth | ||
| Vol 1, No 2 (2014): December 2014 | Combinatorial Principle in the Use of Drum (Kendhang) Formulae in Gamelan Music of Yogyakarta. From Prescriptive Models to the Interpretation of a Composition: the Case of Kendhang Pinatut. | Abstract PDF |
| Luca Pietrosanti | ||
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