| Issue | Title | |
| Vol 10, No 2 (2023): December 2023 | Leila Ahmed’s A Border Passage (2012) and Nawal Saadawi’s A Doctor’s Memoir (2012) as a Model of Creative Nonfiction | Abstract PDF |
| Walid Abdallah | ||
| Vol 9, No 1 (2022): June 2022 | Lingkar Rupa Community Strategy in Developing the Actualization of Street Artists in Kota Tua, Jakarta | Abstract PDF |
| Fransisca Retno Setyowati Rahardjo | ||
| Vol 3, No 1 (2016): June 2016 | Literary Performance in the Act of Pendendang | Abstract PDF |
| Noni Sukmawati | ||
| Vol 8, No 1 (2021): June 2021 | Local Wisdom in Yogyakarta International Airport | Abstract PDF |
| Febriansyah Ignas Pradana | ||
| Vol 3, No 1 (2016): June 2016 | Making Wayang Along Anthropology and Art | Abstract PDF |
| Giulia Panfili | ||
| Vol 4, No 2 (2017): December 2017 | Malaysian Siam Music in Northern Malaysia and Its Representation | Abstract PDF |
| Chayuti Tassanawongwara | ||
| Vol 2, No 2 (2015): December 2015 | Malaysia-Thailand, Beyond the New Ornamentalism in Contemporary Jewelry | Abstract PDF |
| Veerawat Sirivesmas, Alias Yussof | ||
| Vol 5, No 2 (2018): December 2018 | Materiality, Making and Meaning: Building the Artist Record through Conservation in Indonesia | Abstract PDF |
| Eliza O’donnell, Nicole Tse | ||
| Vol 1, No 2 (2014): December 2014 | Meanings and Symbols of Dalima Relief in Keraton Kasepuhan Cirebon | Abstract PDF |
| Husen Hendriyana | ||
| Vol 9, No 2 (2022): December 2022 | Museums in Ghana: Visitor Education, Experiences and Satisfaction | Abstract PDF |
| Samuel Nortey, Kwasi Amoako-Hene, Edwin Kwesi Bodjawah | ||
| Vol 3, No 2 (2016): December 2016 | Music Acculturation in Rhythm of kapang-kapang Bedhaya and Srimpi Dance in the Keraton of Yogyakarta (A Case Study) | Abstract PDF |
| R.M. Surtihadi | ||
| Vol 5, No 1 (2018): June 2018 | Music deculturation: A traditional thai Music tool for Indonesian Music Adoption | Abstract PDF |
| Surasak Jamnongsarn | ||
| Vol 5, No 1 (2018): June 2018 | Music: A tool in transforming the Social Status of Special needs Children | Abstract PDF |
| Tepika Rodsakan | ||
| Vol 4, No 1 (2017): June 2017 | Musical Parody of Acapella Mataraman: A Creativity Compromise for the Performing Arts Market in Yogyakarta | Abstract PDF |
| Firmansah Firmansah | ||
| Vol 5, No 2 (2018): December 2018 | New Composition Concept for Keroncong Music in the Oboe Concerto with Keroncong and Orchestra | Abstract PDF |
| Singgih Sanjaya | ||
| Vol 1, No 2 (2014): December 2014 | New Research on Indonesian Traditional and Contemporary Arts: An Exchange Between Indonesian and Italian Perspectives | Details PDF |
| Djohan Djohan | ||
| Vol 5, No 1 (2018): June 2018 | Noise: The Political Economy of Music (Author: Jacques Attali, 1977, 1985, 2009, 2011) | Details PDF |
| Firmansah Firmansah | ||
| Vol 8, No 1 (2021): June 2021 | Non-Random Samples as a Data Collection Tool in Qualitative Art-Related Studies | Abstract PDF |
| Eslam Y Khalefa, Sri Nurhayati Selian | ||
| Vol 9, No 1 (2022): June 2022 | Nurturing Sanity Through RajutKejut Craftivism | Abstract PDF |
| Sari Wulandari, Guntur Guntur, Rob Goodfellow, Martinus Dwi Marianto | ||
| Vol 9, No 2 (2022): December 2022 | Observation on The Use of Visual Scripting for Interaction Design Students | Abstract PDF |
| Yusup Sigit Martyastiadi | ||
| Vol 2, No 2 (2015): December 2015 | Ojo Kuwi song As Communist Discourse Formation In the election of the President of the Republic of Indonesia in 2014 | Abstract PDF |
| Arhamuddin Ali | ||
| Vol 10, No 2 (2023): December 2023 | Open Observing Users to Gain Insight in Lanna Mural Paintings with Responsive Website for Education | Abstract PDF |
| Tawipas Pichaichanarong | ||
| Vol 2, No 2 (2015): December 2015 | Organizing System of Tayub Performance (Case Study in Kabupaten Grobogan in Central Java) | Abstract PDF |
| Rachel Mediana Untung | ||
| Vol 2, No 1 (2015): June 2015 | Parody Idioms in the Visual Characteristics of KNIL Andjing NICA Reenactors | Abstract PDF |
| Andrian Dektisa | ||
| Vol 8, No 2 (2021): December 2021 | Peircean Visual Semiotics for Tertiary Level Students on Storytelling of Lanna Mural Paintings at Wat Phumin, Nan Province, Thailand | Abstract PDF |
| Tawipas Pichaichanarong | ||
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