| Issue | Title | |
| Vol 2, No 2 (2015): December 2015 | Organizing System of Tayub Performance (Case Study in Kabupaten Grobogan in Central Java) | Abstract PDF |
| Rachel Mediana Untung | ||
| Vol 2, No 1 (2015): June 2015 | Parody Idioms in the Visual Characteristics of KNIL Andjing NICA Reenactors | Abstract PDF |
| Andrian Dektisa | ||
| Vol 8, No 2 (2021): December 2021 | Peircean Visual Semiotics for Tertiary Level Students on Storytelling of Lanna Mural Paintings at Wat Phumin, Nan Province, Thailand | Abstract PDF |
| Tawipas Pichaichanarong | ||
| Vol 3, No 2 (2016): December 2016 | Performers (‘) Present Festival and Symposium 2016 at Yong Siew Toh Conservatory of Music Singapore 25 th October-1 st November 2016 | Details PDF |
| Oriana Tio Parahita | ||
| Vol 2, No 2 (2015): December 2015 | Pita Maha Social-Institutional Capital (A Social Practice on Balinese Painters in 1930s) | Abstract PDF |
| I Wayan Adnyana | ||
| Vol 10, No 2 (2023): December 2023 | Portrayal of Difficult Topics in Indonesian Crossover Picturebook's Illustrations | Abstract PDF |
| Refita Ika Indrayati | ||
| Vol 6, No 2 (2019): December 2019 | Practice-Based Research in Digital Arts: A Case Study of Wat Phumin, Nan Province, Thailand | Abstract PDF |
| Tawipas Pichaichanarong | ||
| Vol 1, No 2 (2014): December 2014 | Qualitative Circulation Space Application at the ‘Tunjungan Plaza’ Shopping Mall in Surabaya | Abstract PDF |
| Sriti Mayang Sari | ||
| Vol 8, No 1 (2021): June 2021 | Re-Actualization Balinese Gamelan Harmony for Renewal Knowlegde of the Balinese Music | Abstract PDF |
| I Ketut Ardana | ||
| Vol 3, No 2 (2016): December 2016 | Rejection of the Cigarette Billboard Sampoerna A Mild “Mula Mula Malu-Malu, Lama Lama Mau” | Abstract PDF |
| Donna Carollina | ||
| Vol 2, No 2 (2015): December 2015 | Relation Between Creativity and Economy in the Creative Economy (A Case Study on Acapella Mataraman Musical Parody Community) | Abstract PDF |
| Firmansah Firmansah | ||
| Vol 2, No 1 (2015): June 2015 | Relative Nature of Thai Traditional Music through its Tuning System | Abstract PDF |
| Nattapol Wisuttipat | ||
| Vol 6, No 1 (2019): June 2019 | Reparameterizing Tectonics Perception on Planar Material-Design | Abstract PDF |
| Stephanus Evert Indrawan, Gervasius Herry Purwoko, Tri Noviyanto P. Utomo | ||
| Vol 3, No 1 (2016): June 2016 | Research In Creating Artworks – Comparison 3 Case Studies of Fine Art Creative Process | Abstract PDF |
| Octalyna Puspa Wardany | ||
| Vol 2, No 2 (2015): December 2015 | Rājādhirāt: From the History to an Influential literature for Mon-accented Thai traditional Repertoires | Abstract PDF |
| Jarun Kanchanapradit, Wanida Bhrammaputra | ||
| Vol 3, No 2 (2016): December 2016 | Sahita’s Performance, Satire of the Life of Javanese Women | Abstract PDF |
| Yustina Devi Ardhiani | ||
| Vol 1, No 2 (2014): December 2014 | Self-management Strategies of Music Teacher in Musical Interpretation Teaching | Abstract PDF |
| Ayu Niza Machfauzia | ||
| Vol 9, No 2 (2022): December 2022 | Semiotics Studies in Agan Harahap's Work: Manipulation of Reality on social media | Abstract PDF |
| Satrio Hari Wicaksono, Shidqi Annas Al Haris Sholih, Shidqi Annas Al Haris Sholih | ||
| Vol 12, No 2 (2025): December 2025 | Shifting Aesthetics: Why "Appropriateness" is the New Goal of Artistic Research in Design | Abstract PDF |
| Winta Adhitia Guspara | ||
| Vol 8, No 1 (2021): June 2021 | Site Visit vs Mental Visualization on Lanna Architecture: A Study on Working Memory in Young Adult | Abstract PDF |
| Tawipas Pichaichanarong | ||
| Vol 1, No 1 (2014): June 2014 | Social Semiotics and Visual Grammar: A Contemporary Approach to Visual Text Research | Abstract PDF |
| Indro Moerdisuroso | ||
| Vol 3, No 1 (2016): June 2016 | Soliloquies: A Movement-based Approach towards Beckett’s Waiting for Godot | Abstract PDF |
| Riana Diah Sitharesmi | ||
| Vol 4, No 1 (2017): June 2017 | Some Analytical Consideration on Indonesian Metal Music | Abstract PDF |
| Gianluca Cellini | ||
| Vol 3, No 1 (2016): June 2016 | Sound And Celebration of Death: Gong Ensembles in The Secondary Mortuary Rituals of the Jarai (Central Vietnam) Compared with Those of the Dayak Benuaq (East Kalimantan, Indonesia). Do They Originate from the Dong Son Culture? | Abstract PDF |
| Della Rata | ||
| Vol 4, No 2 (2017): December 2017 | Tarantism: The Italian Pizzica from Music Therapy to New Formsof Performance | Abstract PDF |
| Daniele Zappatore | ||
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