REVITALISASI SENI KRIYA INDONESIA Sumartono ABSTRACT
Abstract
"Craft" has a long history in Indonesia. The arrival o f religions (Hindu, Buddhism, and Islam) and
different groups (Chinese and westerners) to Indonesia influenced not only to the pattern but also lo the
process o f creation o f this artwork. These influences provide a neio spirit/life to the Indonesian "craft".
Hozoever, Indonesian artists still maintain the " traditional" forms and patterns. They only lake some
aspects o f these other cultures and combine them with local culture. Because o f artists'creativity, Indonesian
"craft" is able to exist fo r a longer time. Moreover, in order to maintain its existence, the Indonesian "craft~
artists are expected to takepart in the discourse o f visual art in Indonesia
Keywords: craft (high art), revitalisation, theory o f change
different groups (Chinese and westerners) to Indonesia influenced not only to the pattern but also lo the
process o f creation o f this artwork. These influences provide a neio spirit/life to the Indonesian "craft".
Hozoever, Indonesian artists still maintain the " traditional" forms and patterns. They only lake some
aspects o f these other cultures and combine them with local culture. Because o f artists'creativity, Indonesian
"craft" is able to exist fo r a longer time. Moreover, in order to maintain its existence, the Indonesian "craft~
artists are expected to takepart in the discourse o f visual art in Indonesia
Keywords: craft (high art), revitalisation, theory o f change
Keywords
seni rupa, desain
DOI: https://doi.org/10.24821/ars.v2i5.255
Refbacks
- There are currently no refbacks.
© 2026 Faculty of Visual Arts and Design, Institut Seni Indonesia Yogyakarta.
This work is licensed under
the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
Visitor