ELEMEN TANDA DALAM FILM
Abstract
The film is generally the reconstructed road documentation or representation as the work artistic
produced by the touch art, so that it was able to 'hypnotize' audience that what he saw through rational
dimensions we, as though they were involved in the scope emotional, brought a certain beliefS in the
direction certain, that is not aware is no longer from reality. To the processing narrative and the focal
point, we will do not understand will participate empathize,feelflush emotion,follow justification in the
movie, or even became the inspiration, and believes that his ideology.
produced by the touch art, so that it was able to 'hypnotize' audience that what he saw through rational
dimensions we, as though they were involved in the scope emotional, brought a certain beliefS in the
direction certain, that is not aware is no longer from reality. To the processing narrative and the focal
point, we will do not understand will participate empathize,feelflush emotion,follow justification in the
movie, or even became the inspiration, and believes that his ideology.
Full Text:
PDFReferences
Hogdon, Dana and Stuart Kaminsky, (1981),Basic
Film Making, Arco Publishing Inc., New
York.
Boggs, M. Joseph, (1978), The Art of Watching
Fils, a guide to film analysis, The
Benjamin/Cummings Publishing
Company, Inc., 1978.
Sobur, Alex, (2003), Semiotika Komunikasi,
RemajaRosdakarya, Bandung,
DOI: https://doi.org/10.24821/dkv.v2i4.868
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