Gejolak dalam Harmoni
Abstract
Harmony in Frightening Natural Phenomenon. The main creation source is the aesthetic impressions of clouds and waves which implicitly express frightening, fearful, and scary passion. The objects of the creations are expressed in painting arts which tend to be expressionistic and abstract in style. The supporting sources of the creations are some paintings of Franz Kline, Willem de Kooning, Joan Mitchell, Anselm Kiefer, Piet Mondrian, and Ibrahim. The originality is emphasized in individual emotional expression. The methods of the creations begin with the exploration of ideas, improvisations, and creations which become one activity. The transformation of ideas into art products creates a subject matter which contains biomorphic forms from expressive brushing that is based on intuition and spontaneousness. The differences in the width of the brush, the stress of brushing, the level of painting thickness, and the color have become the supporting techniques. The results of the creation are the painting art products containing line configurations, organic forms, and coloring with the wild, free, uncontrolled, and ‘mleber’ effects.
Keywords: Expressionistic abstract, art harmony, painting.
Full Text:
PDFReferences
Amason, H.H., 1988, A History of Modern Art: Painting, Sculpture, Architecture, Phothography, edisi ketiga, London: Thames and Hudson.
Arnheim, Rudolf, 1974, Art and Visual Perception, second edition, California, University of California Press.
Atkins, Robert, 1997, Art Speaks: A Guide to Contemporary Ideas, Movements. and Buzwords 1945 to The Present, second edition, New York Abbeville Press Publishers.
Cassirer, Ernst, 1987, Manusia dan Kebudayaan. Sebuah Esei Tentang Manusia, terj. Alois A. Nugroho, Jakarta: PT Gramedia.
Cavallaro, Dani, 2001, Critical and Cultural Theory, Yogyakarta: Niagara
Chernyshevsky, N.G., 2005, Hubungan Estetik dengan Realitas, terj. Samanjaya, Bandung: Ultimus.
Collingwood, R.G., 1972, The Principles of Art, Oxford: Oxford University Press.
Djelantik, A.A.M., 1999, Estetika: Sebuah Pengantar, Bandung: Masyarakat Seni Pertunjukan Indonesia.
Feldman, Edmund Burke, 1967, Art as Image and Idea, New Jersey: Prentice Hall, Inc.
Gustami, Sp., 2004, Proses Penciptaan Seni Kriya: Untaian Metodologis, Yogyakarta: Program Pascasarjana S2 Penciptaan dan Pengkajian Seni, ISI Yogyakarta.
Hospers, John, 1982, Understanding the Arts, New Jersey: Prentice-Hall, Inc.
Kandinsky, Wassily, 2007, Pendalaman Spritual dalam Seni, terj. Sulebar M. Soekarman, Jakarta: Yayasan Seni Visual Indonesia.
Marianto, M. Dwi, 2007, "Relasi Luar-Dalam antara Seniman dan Metafora" dalam Surya Seni Jurnal Penciptaan dan Pengkajian Seni, Vol 3. No. 1 Februari 2007.
Smith, Ralph A., 1989. The Sense of Art: A Study in Aesthetic Education, New York: Routledge, Chapman and Hall, Inc.
Soedarso, 2006, Trilogi Seni: Penciptaan Eksistensi dan Kegunaan Seni, Yogyakarta: Badan Penerbit ISI Yogyakarta.
Stokstad, Marilyn (ed.), 2002, History of Art, New York: Harry N. Abrams, Inc.
Sumardjo, Jakob, 2000, Filsafat Seni, Bandung: ITB Bandung.
Surajiyo, 2005, Ilmu Filsafat Suatu Pengantar, Jakarta: PT Bumi Aksara.
Wisetrotomo, Suwarno, 2008, "Sunyi di Tengah Riuh", dalam Katalog Pameran Sepi di Tengah Riuh, Semarang: Galeri Semarang.
DOI: https://doi.org/10.24821/ekp.v10i1.7850
Article Metrics
Abstract view : 0 timesPDF - 0 times
Refbacks
- There are currently no refbacks.