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Vol 5, No 1 (2022) Representasi Reintroduksi Satwa dalam Film Postcards From The Zoo (Analisis Semiotika Christian Metz) Abstract  PDF
Kevin Aldrianza Devano, Lilik Kustanto, Siti Maemunah
 
Vol 6, No 2 (2023) Analisis Ekranisasi Manga “Kimetsu No Yaiba” ke dalam Film Anime Layar Lebar “Kimetsu No Yaiba: Mugen Reshha-Hen” Ditinjau dari Aspek Angle Kamera Abstract  PDF  PDF
Muhammad Fatahilah Syam
 
Vol 6, No 1 (2023) Analisis Angle Kamera Point Of View (POV) dalam Membangun Penceritaan Terbatas pada Film “Searching” Abstract  PDF
Eka Nur Amsy Samtrimandasari
 
Vol 6, No 1 (2023) Estetika Film Parasite dengan Analisis Fokalisasi (melalui Sudut Pandang Tokoh) Abstract  PDF
Putri Sima Prajahita, Retno Mustikawati, Pius Rino Pungkiawan
 
Vol 6, No 2 (2023) Dominasi Kuasa Kapitalis terhadap Buruh dalam Plot Film Sorry to Bother You Ditinjau melalui Semiotika John Fiske Abstract  PDF
Muhammad Arief Habibi Sukur
 
Vol 6, No 1 (2023) Analisis Film Dokumenter Badut “Di Balik Tawa” Abstract  PDF
Martinus Eko Prasetyo
 
Vol 5, No 2 (2022) Teknik Komedi dalam Pengadeganan Cerita pada Film "Stip & Pensil" Abstract  PDF
Muhammad Adhitya Adji Pamungkas, Retno Mustikawati, Dyah Arum Retnowati
 
Vol 5, No 1 (2022) Motif dan Kepuasan Mahasiswa dalam Mengapresiasi Jogja-NETPAC Asian Film Festival 2020 melalui Akun Instagram Abstract  PDF
Nala Nandana Undiana, Hery Supiarza, Erik Muhammad Pauhrizi
 
Vol 4, No 2 (2021) Pemaknaan Konsep Suara Cross Over Diegetic Dan Lack Of Fidelity Berdasarkan Teori Semiotika John Fiske Pada Film Apocalypse Now (1979) Abstract  PDF
Ulfa Huwaida Nursyifa, Arif Sulistiyono, Raden Roro Ari Prasetyowati
 
Vol 4, No 2 (2021) Peran Perubahan Karakter Tokoh Utama Dalam Membangun Suspense Pada Film “Posesif” Abstract  PDF
Lina Itafiana, Endang Mulyaningsih, Dyah Arum Retnowati
 
Vol 5, No 2 (2022) Analisis Efek Kejutan atas Penerapan Restricted Narration dalam Plot Film “The Handmaiden” Abstract  PDF
Anisa Wahyuningsih, Siti Maemunah, Gregorius Arya Dhipayana
 
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